REVIEW: Embattled [2020]

More than myself. You’re either a sucker for films like director Nick Sarkisov and screenwriter David McKenna‘s Embattled or you’re not. I’m the former—a fact that’s proven especially true when the filmmakers are willing to use the fighting drama genre as a means to provide something more than just an adversarial winner takes all ambition. So I was hooked pretty much from the first scene as Cash Boykin (Stephen Dorff) runs his mouth on the way to the Octagon, pumping himself up with the crowd as his son Jett (Darren…

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INTERVIEW: Keith Behrman, writer/director of Giant Little Ones

One of my favorite things about going to the Toronto International Film Festival is finding the time to see the smaller movies that aren’t on everyone’s must-see lists. While the gamble sometimes turns out to be a dud, the risk is easily justified when you’re able to discover a work as genuinely memorable as Keith Behrman‘s Giant Little Ones in the process. A film about adolescence that isn’t afraid to delve into sexuality’s ever-broadening landscape of experimentation and fluidity with still violent repercussions, this story of two best friends falling…

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TIFF REVIEW: Giant Little Ones [2019]

Why did you tell her anything? Writer/director Keith Behrman knows exactly what he’s doing when introducing a variety of people along the sexuality spectrum in his latest film Giant Little Ones. He’s intentionally flooding his canvas so that we have no choice but to accept them all rather than turn our focus onto just one. There’s no room for token characters anymore, the real-life disparity between heterosexuals and homosexuals closing as each year passes. So Behrman looks to represent that change on the big screen by giving his lead (Josh…

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