REVIEW: My Spy [2020]

It’s a fine line between friendly and desperate. Like Hulk Hogan, Arnold Schwarzenegger, Vin Diesel, and Dwayne Johnson before him, former wrestler and MMA fighter Dave Bautista has found himself starring alongside a child in a family-friendly vehicle using the juxtaposition between adolescent innocence and muscle-clad heroics as a comedic right of passage towards potential (Hollywood Hogan left his short-lived cinematic career in the 90s) superstardom. Whereas Mr. Nanny, Last Action Hero, The Pacifier, and Tooth Fairy hit the big screen to varying box office success, however, Bautista’s bid to…

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REVIEW: Onward [2020]

Be Like Dad. It’s Ian Lightfoot’s (Tom Holland) sixteenth birthday and he’s hoping to make it count. He’s not about to go on a rager with friends, though. He’s way too introverted for that. Ian therefore merely seeks to conquer a few baby steps towards mild extroversion by putting on his late father’s college sweatshirt to boost confidence and check off some boxes on a list he wrote to change himself into the man he wishes he might become. That means standing up for himself when others treat him like…

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REVIEW: Playdate with Destiny [2020]

If you didn’t know Disney bought Fox yet, you will after watching Playdate with Destiny—a new Simpsons short playing before Pixar’s latest, Onward. The bookends are overt brand management with a “Disney presents” at the start and a silhouette of Mickey sitting amongst Gracie Film’s usual patrons during its post-credits bumper. It’s an undeniably smart move to pair properties in such a visible fashion and I have to imagine it won’t be the last time it happens (just wait until Simpsons characters become Easter eggs alongside the usual stable of…

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REVIEW: Sonic the Hedgehog [2020]

Gotta go fast. While a Nintendo kid growing up with Mario forever winning the mascot war against Sega in my mind, relatives did have a Genesis and played Sonic often enough for me to have watched the little blue guy somersault around loop de loops before losing his golden rings after hitting enemies or spikes. I honestly never sought it out beyond that because the game always seemed to play too fast when compared with the straightforward Mushroom Kingdom and Mega Man platforms. I guess that was the point. Speed…

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REVIEW: Hair Love [2019]

A little bit of work and a whole lotta love. The producer list for Matthew A. Cherry‘s short film Hair Love is insane. Jordan Peele. Peter Ramsey. Gabourey Sidibe. Gabrielle Union. Dwayne Wade. And those are just the ones I recognize. With hundreds of Kickstarter backers and co-directors Everett Downing Jr. and Bruce W. Smith also attached, the project would ultimately land at Sony, garner huge buzz online, and earn an Oscar nomination. That’s quite the journey for a children’s book that only dropped in May itself. With Vashti Harrison‘s…

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REVIEW: Abominable [2019]

Dude. You darted Dave. Writer/director Jill Culton started production on Abominable in 2010 before eventually leaving the project and ultimately coming back on-board. Still retaining sole writing credit, I have to believe Dreamsworks stayed true to her original narrative vision during those years when she was away. Maybe they fiddled with things to hew closer to a proven formula (the plot similarities to the studio’s How to Train Your Dragon are many) or perhaps parallels to that 2010 release were always present considering the close proximity of their respective geneses.…

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REVIEW: The Lion King [2019]

Slimy yet … satisfying. People are getting excited because Nintendo Switch is releasing a port of Link’s Awakening—an RPG that originally came out on the Gameboy two decades ago. More than a port, it’s an actual remake wherein everything is more or less the same with improved graphics and tweaks in gameplay wherever the developers see fit (surely in concert with what the new system can handle that the old couldn’t). That excitement is justified because they’re breathing new life into a classic game we can no longer play unless…

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REVIEW: Round of Your Life [2019]

Nothing motivates like disappointment. Christian faith films are difficult to watch objectively because they generally end one of two ways: a miracle by the grace of God or a tragedy accepted as His will. So there’s not much wiggle room when it comes to drama. Whether or not the person in pain recovers often has little real value because his/her suffering is a test for those who aren’t. How will the latter handle the situation with God’s assistance to become better people and realize there’s more to life than selfish…

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REVIEW: The Lion King [1994]

Remember who you are. The sun rises at the screen’s bottom as Lebo M. is heard singing in Zulu. We take a look at the wide-open expanse of an African savannah before slowly honing in on herds of animals moving towards a single spot: Pride Rock. There we find Mufasa (James Earl Jones) and Sarabi (Madge Sinclair) resting with new lion cub Simba (Jonathan Taylor Thomas) as trusted allies Zazu the hornbill (Rowan Atkinson) and Rafiki the baboon (Robert Guillaume) arrive to offer their services for what’s to be a…

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REVIEW: Anastasia [1997]

In the dark of the night she’ll be gone. In a fantasy world where royalty was adored as idyllically benevolent leaders thinking only about how to protect and serve their people, the Romanovs were betrayed by the evil Rasputin (Christopher Lloyd) who subsequently consorted with the Devil to wield dark magic powerful enough to curse their entire bloodline to death. His goal was to eradicate them and seize control, but things didn’t go quite as planned. And although the princess Anastasia (Kirsten Dunst) narrowly escaped his grasp when he fell…

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REVIEW: Toy Story 4 [2019]

She’ll be okay. It was said upon the release of Toy Story 3 that the franchise was done as far as Woody (Tom Hanks) and Buzz Lightyear’s (Tim Allen) adventures were concerned. These sentiments made sense because it ended nicely on a logical breaking point wherein the boy whose name adorned their feet grew-up and gifted them to a new owner (Bonnie) who promised a warm future of happiness and play. Because simply retiring the characters would be dumb, Pixar decided to branch out into a trio of short comedic…

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