REVIEW: The Boss Baby: Family Business [2021]

Apparently, there’s no “a” in “teamwork” either. Anyone who’s seen The Boss Baby knows a sequel was set-up via the revelation that a now grown-up Tim’s (Tobey Maguire) second daughter was sent by Baby Corp. for a yet unknown mission. The previous Templeton plant (Alec Baldwin‘s Theodore) had chosen to stay and grow up to fulfill the promise of his toddler-sized suit so that the clan could have their deserved happy ending. What then would Baby Corp.’s reason be for taking this family hostage again just one generation later? How…

Read More

REVIEW: The Boss Baby [2017]

I’m enough. It’s tough to call my complete disinterest in The Boss Baby as a “judging a book by its cover” scenario when that cover is what the studio sold, but I won’t lie and say babies doing Glengarry Glen Ross wasn’t what turned me off from it. Watching every new marketing piece play into that juxtaposition as though it wasn’t a creatively bankrupt idea was simply too much to bear. So I avoided Tom McGrath‘s latest—despite believing his Madagascar series had finally come into its own by part three—and…

Read More

REVIEW: Luca [2021]

The curious fish gets caught! It’s been ten years since one of Pixar’s best shorts was released alongside Brave. Storyboard artist Enrico Casarosa‘s La Luna was a heart-warming tale merging our reality with a fantastical premise in a way that proved perfectly suited for the animation medium’s infinite storytelling possibilities. The resonate familial relationship at its center led into that recognizable emotional journey every child and parent must take in order to allow the former the freedom to choose his/her own identity away from the latter’s shadow … but not…

Read More

REVIEW: Já-Fólkið [Yes-People] [2020]

Life beats us all down eventually. Or, if we’re lucky, it numbs us from caring about the chaos that surrounds us. This is only too true for the inhabitants of three apartments within Gísli Darri Halldórsson‘s short film Já-Fólkið [Yes-People]. Whether it’s the senior couple at a breakfast table daring each other to blink during an impromptu “who’s most annoying” contest or a cheery mother and her morose son getting through teaching clarinet to a novice and staying awake at school respectively or a frustrated middle-aged pair who’ve turned to…

Read More

REVIEW:Genius Loci [2021]

I’m going to sit here and wait a while for a sign. With its esoteric dialogue and often cacophonic score incorporating foley sound effects with the melody that also double as the driving rhythm upon which the visuals are cut together, Adrien Merigeau‘s Genius Loci (co-written by Nicolas Pleskof) eschews traditional narrative for a beat poet aesthetic that embraces disorder on a journey through time and space. Reine (Nadia Moussa) is at once present in her sister’s apartment (watching a pot boil over upon the stove while simultaneously watching a…

Read More

REVIEW: Opera [2021]

With a triangular structure composed of about one hundred different individual compartments that all connect via a religiously, bureaucratically, and militarily closed-loop ecosystem, it is impossible to fully comprehend everything that’s going on in one go. Erick Oh‘s Opera therefore becomes more a treatise on society’s ills, aspirations, failings, and successes than a narrative with A to B propulsion as a result, its infinite cycle of night and day (as dictated by an hourglass turn) becoming a nightmarish depiction of the nine circles of Hell as much as the faith-based…

Read More

REVIEW: If Anything Happens I Love You [2020]

It’s never easy to overcome immense tragedy—especially when it involves a child. We feel the obvious absence at the start of Michael Govier and Will McCormack‘s If Anything Happens I Love You through its leads’ inability to look each other in the eyes and the anger their shadowy counterparts (embodiments of their emotions) exude behind them. We receive glimpses of joy met with isolation as every attempt to remember what was fades in the second it takes to realize there’s no going back. A paint splotch on the garage and…

Read More

REVIEW: Burrow [2020]

I said it two years ago with Kitbull and will say it again now: it’s weird to watch a Pixar production utilizing a two-dimensional, hand-drawn style after so many years of computer animation. Madeline Sharafian‘s Burrow continues that trend within the Disney+ Sparkshorts series and her tale of a young rabbit looking to dig out her dream home in the dirt. There’s a Little Golden Books appeal that hit me with a ton of nostalgia as her unwavering joy is shattered by not one, but two neighbors popping their heads…

Read More

REVIEW: Raya and the Last Dragon [2021]

Who’s hungry? As Raya (Kelly Marie Tran) states during her expository prologue to Don Hall and Carlos López Estrada‘s Raya and the Last Dragon (written by Qui Nguyen and Adele Lim), events that should unite us often end up doing the opposite. For the Asiatic world of Kumandra, this phenomenon occurs in the aftermath of their most dire moment once the plague known as druun (a virus-like creature that multiplies with every attack, turning living creatures into stone) is finally annihilated thanks to the bravery of a dragon named Sisu…

Read More

REVIEW: Us Again [2021]

The jazzy notes of Pinar Toprak‘s score act as a living soundtrack to the world of Zach Parrish‘s short film Us Again with everyone inside it dancing as though they are characters in a musical. The unbridled energy and excitement are infectious with smiles from ear to ear on everyone’s faces until the camera moves into an apartment housing a grumpy old man in a recliner who can’t even be bothered to stand-up when slamming his window shut to prevent the notes outside from reaching his ears. We see from…

Read More

REVIEW: アーヤと魔女 [Âya to majo] [Earwig and the Witch] [2020]

I shall give you the worms. Those familiar with Diana Wynne Jones‘ children’s book Âya to majo [Earwig and the Witch] will be surprised to find Gorô Miyazaki‘s cinematic adaptation beginning with a chase scene pitting a red-headed woman on a motorcycle against a yellow Citroën on her tail. They weave in and out of traffic with impossible speed and maneuvering before we see the first bit of magic used to create some extra distance. That’s when a cut occurs for us to watch the unknown redhead walk through a…

Read More