REVIEW: Ready Player One [2018]

Ninjas don’t hug. You can’t help but drown within the pop culture vacuum of Ernest Cline‘s Ready Player One while reading. He throws references left and right—most often for no other reason than to namedrop as though he’s racking up geek-cred points within a nonexistent game. There becomes such an influx of information that you begin to see just how flimsy and redundant the plot behind the superficial artifice is in its reworking of common dystopian tropes utilized to bestselling success in the YA world. It’s a thin veil similar…

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REVIEW: X-Men: The Last Stand [2006]

“Same as the Professor: visiting an old friend.” I’m sad to inform you that X-Men: The Last Stand did not age well. Not that anyone called it great when it was released—it was little more than serviceable then—but boy does it falter when viewed in close proximity with the two stellar entries coming before it. I’d like to blame Bryan Singer for jumping ship to DC so he could helm Superman Returns or even Matthew Vaughn and his family issues preventing him from taking the reins. Heck, I’d love to…

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REVIEW: Dakota [2012]

“You find a way to afford the horse” Writer/director Ami Canaan Mann‘s WIGS network three-part series Dakota has the potential to be an intriguing gender reversal for the subject of high stakes poker. One generally thinks Rounders, The Sting, House of Games or many other male-centric vehicles when it comes to players putting it all on the line for a quick score in the best of times and a reprieve from a loan shark’s brutality in the worst. Poker films use women as distractions, schemers, and accomplices. So, listening to…

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REVIEW: The Avengers [2012]

“In the end you’ll always kneel” It’s hard to believe the new Marvel cinematic canon began just four years ago—if anything just for the simple fact these actors have been contractually obligated to continuously work in the world for its duration. The new The Incredible Hulk released with much less poetic atmosphere and more action-based aesthetic akin to the universe the studio now wished to portray than Ang Lee‘s foray from 2003 and a comic tone was cemented in arguably the series’ best entry, Iron Man. Subsequently followed by Thor,…

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REVIEW: The Incredible Hulk [2008]

“Days since last incident” Leave it to this drama lover to think that the new film The Incredible Hulk is more boring than Ang Lee’s Hulk from 2003, despite the fact everyone in the entire world hated that version because it was “too slow”. Maybe it was the departure in genre tone that Lee brought to the movie making it a psychological tale of humanity rather than an action, comic-book romp, but I was pleasantly surprised after thinking it would just be Hulk-Smash over and over again. The funny thing is…

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