REVIEW: Extra Ordinary [2019]

The fragrant aroma of purity. When weird, unexplainable happenings occur—it’s probably a ghost. At least that’s what Vincent Dooley (Risteard Cooper) based a career of dealing with the paranormal upon. A producer of VHS tapes that taught audiences about these experiences as a group of phenomena he coined “Talents,” he also spoke with the dead. Alongside his young daughter Rose (who possessed the gifts necessary to deal with the more practical aspects such as incantations and guiding spirits into the afterlife), Vincent toured Ireland with the hope of helping those…

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REVIEW: Keanu [2016]

“It’s like smoking crack with God” After the massive success of former “MADtv” comics Jordan Peele and Keegan-Michael Key’s eponymous sketch comedy show “Key & Peele” it was only a matter of time before the duo would grace the silver screen together. It’s actually surprising that it’s taken this long (the Comedy Central property went for five seasons before being put on indefinite hold by the creators) considering Key is everywhere you look these days on TV and film. Peele is the one you don’t notice very much (and only…

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REVIEW: Nebraska [2013]

“Two goddamn days … from Billings?” I didn’t like About Schmidt. I remember very little about why or the film itself, but I do remember that. It should therefore be no surprise I didn’t necessarily love director Alexander Payne‘s latest Nebraska either since in my estimation they’re very similar works. He was actually approached with Bob Nelson‘s screenplay while filming the Jack Nicholson starrer, agreeing to helm it as long as he could put distance behind his next obligation—Sideways—so as not to make two road movies in a row. Nine…

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REVIEW: That’s My Boy [2012]

“Secret tickle time” Just when you thought Adam Sandler had hit bottom and could only improve upon a lackluster string of film’s that have to make you question the quality of his earlier gems, he proves it can always get worse. From Sean Anders (the director of Sex Drive) and David Caspe (creator of “Happy Endings”) comes one of the most unoriginal comedies in years. Recycling the ‘disastrous wedding’ trope that I’m sad to say was actually done better in Meet the Parents—a film I also abhor—we’re made to watch…

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Posterized Propaganda September 2011: Misfires countered by fearlessness

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. September is the start of the film festival season. Unsurprisingly, while Toronto, Venice, and New York debut the flicks we’ve been waiting all year to see, the box office…

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REVIEW: The Slammin’ Salmon [2009]

“Feed my pretties—Feed!” Those Broken Lizard boys had quite the run. After needing to visit colleges for screenings of their debut Puddle Cruiser, the comedy troupe struck it big with Super Troopers, in effect giving them free reign to see both follow-ups have their day in multiplexes, albeit to low returns. As a result—Club Dread is admittedly weak, but Beerfest found some of that magic from their Trooper days—the new flick wasn’t given a wide release, instead relegated to DVD and the hopes word of mouth and fan base will…

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