REVIEW: Jay and Silent Bob Strike Back [2001]

They don’t deserve their own movie. It’s easy to forget that Jay and Silent Bob Strike Back was supposed to be the View Askewniverse’s final chapter. Writer/director Kevin Smith had finally decided to grow up (a relative term) and leave the foul-mouthed, pot-dealing miscreants he and Jason Mewes brought to life in Clerks (before subsequently popping-up in every film) behind. He even capped the credits with God (Alanis Morrisette) closing the proverbial book after corralling as many familiar faces and stars he could for what proved a self-conscious and self-referential…

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REVIEW: It Follows [2015]

“How about that woman in the yellow dress?” It was only a matter of time before horror literally made an STD monster. With the trope of sex leading to one’s demise so prevalent in the genre, it makes sense to create a predator that jumps from one potential victim to the next via intercourse. What makes David Robert Mitchell‘s It Follows more than a gimmick is his decision to ensure only those who’ve had the “bug” can see their pursuer. This means sex serves as the act to acquire your…

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REVIEW: A Nightmare on Elm Street [1984]

“Midnight, baseball bats and bogeymen, beautiful” How great is it that the credits for A Nightmare on Elm Street list Robert Englund as playing Fred Krueger? Even though his character is called Freddy throughout it and all subsequent films, the first installment never anticipated the kind of pop culture phenomenon he’d become. Billed as the new ‘masterpiece of fantasy terror’ from the director of The Hills Have Eyes and The Last House on the Left—I guess I never realized how popular those two were—this is what I most associate with…

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REVIEW: The Last House on the Left [2009]

“Always go for the gold” I don’t usually get disgusted or squeamish when it comes to horror and gore, but after viewing The Last House on the Left remake, one of the many old Wes Craven films getting reworked, I have to admit, it was pretty harrowing. Does making me tense up and await some scenes’ conclusions make it an effective suspense/thriller? I’m not so sure. The plotline is thin, the result obvious, so as far as what will happen, there is very little question or anticipation. That being said,…

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REVIEW: My Bloody Valentine 3D [2009]

“Be mine 4 ever” Well if I was a long time editor of Wes Craven films, I’d want to eventually exit his shadow and make a name for myself too. Why director Patrick Lussier decided to choose a remake to put himself out there, I don’t know, but that is what he is giving us. The man who helmed Dracula 2000 with Craven wearing the Producer cap ends a string of straight to video sequels by bringing some blood and gore back to the big screen. Normally I could care…

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REVIEW: Paris, je t’aime [Paris, I Love You] [2006]

I have been eagerly awaiting the release of the short film anthology Paris, je t’aime [Paris, I Love You] for a long time. Once I heard of the project it really interested me as something that could be amazing, with some enormous talent attached. To my disappointment, I read about the finished shorts and how good they were, but alas no release date stateside for the entire experience. It will eventually come to the US (limited early May, Buffalo? Maybe), however, I could wait no longer and made the purchase…

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REVIEW: Lady in the Water [2006]

“Man has forgotten how to listen” M. Night Shyamalan has really matured as a filmmaker the past few years. After an auspicious beginning with the much-adored Sixth Sense, he followed with a slow, poorly paced Unbreakable and the not quite sure what it wanted to be Signs. At this point I pretty much wrote him off, except for the brilliance in marketing that seems to make his trailers must sees. I grudgingly went to The Village in 2004 and to my surprise loved it. Everything that didn’t work in his…

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