REVIEW: The Wedding Ringer [2014]

“Sock on put” The writing team behind The Break-Up is back nine years later with their latest comedy The Wedding Ringer. While not a slog like their first feature—I found it painful at times—Jeremy Garelick (who also directs) and Jay Lavender‘s increased entertainment value unfortunately comes at the price of the whole being a complete mess. Jamming in as many comedy tropes as possible to create this genre Frankenstein’s monster, you’ll find yourself laughing at Wedding Crashers-level raunch one moment, wading through a flipped The Wedding Planner-esque plot full of…

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REVIEW: We’re the Millers [2013]

“That’s my credo, ‘No Ragrets’” An R-rated comedy shouldn’t possess a PG-rated heart. This is We’re the Millers’ main problem in my mind because while the profanity-laced adventure has a ton of laughs, one can’t help shake the feeling that it’s targeted to a 13-16 age group who won’t be allowed to buy a ticket. Overt sexual innuendo and f-bombs don’t make up for a lack of anything else that would render screenwriting teams Bob Fisher and Steve Faber or Sean Anders and John Morris to need an R for…

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Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer continues chugging along with the America and/or Earth threatened by destruction at every turn. Whether comic book adaptations, zombie wars, terrorist assaults or a giant pit opening up to…

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REVIEW: The Change-Up [2011]

“Rotate your turret and go night night” It may be overly derisive to say, especially from a guy who watched Like Father Like Son and Vice Versa religiously during the late-80s, but The Change-Up has to end up being the laziest piece of cinema released this year. Scribed by the duo behind both Hangover flicks, Jon Lucas and Scott Moore appear to be making a conscious effort to create ‘modern updates’ of tired concepts. After the ho-hum, not as bad as it should have been Ghosts of Girlfriends Past redid…

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REVIEW: The Dilemma [2011]

“… took more virgins than Francis Albert Sinatra” Sometimes all you need is a little Vince Vaughn. Don’t even ask how much I dreaded checking out The Dilemma despite him, due to the directed by Ron Howard label. I like the guy, don’t get me wrong, but his by-the-books Dan Brown adaptations were sorely lacking in cinematic ingenuity, (I cringe at the fact he’s handling The Dark Tower Series as a result), and thus a seemingly straight forward comedy wasn’t looking too palatable. But sometimes a director can excel by…

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REVIEW: Fired Up! [2009]

“No, science is awesome” I will admit it first off, I dreaded this day—the day I was going to sit down and watch Fired Up! It’s a film about two high school football jocks that decide to go to cheer camp and attempt to make headway in an untapped market of females. Now when I said high school, I mean the characters, not the actors. How Nicholas D’Agosto and Eric Christian Olsen can play seventeen year olds Shawn and Nick when they are 28 and 31 respectively, I don’t know.…

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REVIEW: Definitely, Maybe [2008]

“I make a living” Maybe I was just in the mood for a romantic comedy with some intelligence, but as far as wondering if I liked this week’s Valentine’s release, I say … definitely. Wow, I just did that. Despite the horrible wordplay, I really found myself fall into this story of one man’s three loves told to his daughter in order to show the complexities of that, humanity’s greatest passion. Definitely, Maybe is very much your run-of-the-mill rom-com, yet something about it just resonated with me. It might be…

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REVIEW: Swingers [1996]

“Mikey’s all grows’d up” The early to mid-90s brought the world an insurgence of little indie films that could. Sure Clerks is looked upon as the movie that gave everyone the opportunity to say to himself, “Yes, I can do it”, but it is really Swingers that showed what an indie film could do. Kevin Smith’s debut was one made very much on the cheap with friends and non-actors waxing pop-culture philosophical. These guys were hilarious yes, but talented no. It was the witty banter, scripted by Smith, which gave…

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REVIEW: Clay Pigeons [1998]

Before striking gold by teaming with Vince Vaughn in last year’s Wedding Crashers, director David Dobkin tabbed him for his debut Clay Pigeons. The movie had some buzz behind it upon its release in 1998, however I never got around to checking it out. A few months ago, while listening to my podcast of choice, the movie review show Cinecast (recently renamed as Filmspotting), Pigeons was brought back into my consciousness. It is a well-made effort—dark subject matter mixed with pitch black humor. This is vintage Vaughn who really lights…

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