TIFF21 REVIEW: Paradis sale [After Blue] [2022]

Cut the bad weeds. It’s as though Roxy (Paula Luna) is standing at the gates of Heaven, being judged for what transpired during life on After Blue—a new planet devoid of computer screens post-Earth’s cultural destruction. Do we ever see the God she’s relaying her tale too? No. Or perhaps we are that God, judging her actions against whatever criteria we have in our own unprompted minds. The latter makes sense considering writer/director Bertrand Mandico operates under the cinematic Incoherence Manifesto that he co-wrote Katrín Ólafsdóttir. He “has faith in…

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REVIEW: Elle [2016]

“It was necessary” Director Paul Verhoeven has made a career of pushing the envelope whether through violence, sex, politics, or all three wrapped together. It’s hardly surprising then that his buzzword of choice on the promotional trail for his latest Elle has been “controversial.” The word choice is appropriate considering David Birke‘s script (adapted from Philippe Djian‘s novel Oh…) plays with taboos in ways that subvert public consciousness, but there’s an even more appropriate adjective: dangerous. Controversy is needed to shake us out of our doldrums, but it can also…

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REVIEW: Eden Log [2007]

“What I need is to get out of here” So, the genre is called Cyberpunk. Can’t say I have heard the term before, but I can definitely see how it applies to the horror/science fiction film I just experienced called Eden Log. The first film from French director Franck Vestiel, it creates a world of heightened technology with a muted palette and cold, steely environments. One could say that we are watching our amnesiac “hero” Tolbiac maneuvering through a computer itself. The genre seems to be a French creation, not…

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