REVIEW: Mission: Impossible [1996]

Hasta lasagna. Don’t get any on ya. Despite completing its successful seven-season run in 1973, it would take another twenty-three years before Bruce Geller‘s original television series received its inevitable cinematic adaptation. For a former Emmy winner starring the likes of Peter Graves, Martin Landau, and Leonard Nimoy with an action thriller premise just past science fiction to make it so new technological advancements would perpetually help increase production value, that’s a difficult hiatus to believe until you factor in Hollywood. Not only did rights owner Paramount Pictures find it…

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REVIEW: Murder on the Orient Express [1974]

With the help of a hat box. If the way in which Hercule Poirot (Albert Finney) manipulates his suspects into perfectly incriminating themselves upon inquisition—often unbeknownst to us until the final reveal—infers that he has a photographic memory, we the audience need a bit more exposition as it concerns yet unseen connections than perhaps the film would like to share. This is why director Sidney Lumet and screenwriter Paul Dehn provide an opening montage of newspaper clippings and shadowy reenactments of young Daisy Armstrong’s kidnapping and subsequent murder. Because it…

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INTERVIEW: Timothy J. Cox, star of Simple Mind, Choosing Sides, and more

Becoming a working actor is hardly an easy career path chosen lightly. For character actor Timothy J. Cox the journey towards independent film began by accident in 8th grade yet became a calling it would seem he was born to follow. Still, it took him almost a decade of living in New York City before making the decision to focus his professional efforts onto the film set above the theatrical stage. Whether performing in student thesis projects, indie shorts, contests, or features, Cox has made a name for himself through…

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REVIEW: Letters to Juliet [2010]

“And I curse her moustache” Let’s just say director Gary Winick’s track record is nothing to be inspired by—13 Going on 30 and Bride Wars amongst those he helmed. But, while he brings tripe like that to fruition, his producing credits include a few gems like Starting Out in the Evening and, a personal favorite, Pieces of April. Watching the trailer for his latest, Letters to Juliet, one can almost see what is a hybrid of the two types. Don’t get me wrong, there is a ton of romantic, true…

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REVIEW: A Man for All Seasons [1966]

“I trust I make myself obscure” Considering my only entry point into the history of England during the reign of King Henry VIII comes from the first season of Showtime’s “The Tudors,” (a quality program, perhaps a tad too salacious than absolutely necessary), I was more than obliged to take a friend up on his offer to watch the Oscar-winning A Man for All Seasons. The world is full of coincidence and having this film come up now seemed perfect. I have been awaiting the conclusion of season two before…

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REVIEW: Atonement [2007]

“No rhymes and no embellishments” Ladies and gentlemen, a hand for director Joe Wright; he has crafted a masterpiece. With resemblances to films like Cold Mountain and A Very Long Engagement, Atonement is just so much more. Visually stunning, intellectually stimulating, and forever heartbreaking, Wright has made a movie like no other this year. Sure I have seen “perfect” films this year, for lack of a better word, but even Gone Baby Gone winds up far down the list when compared to all 10/10 films I’ve seen and given that…

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