REVIEW: Adams æbler [Adam’s Apples] [2005]

“That’s just plain rude” God works in mysterious ways—very mysterious ways. Or at least that’s what Anders Thomas Jensen‘s pitch-black fable Adams æbler [Adam’s Apples] will have us believe. It may just be plain old faith as the mere belief in good and evil sometimes gets you through the tragedies miring your life, dictating that everything happens for a reason. No matter how bad things get, having the faith that you’ll prevail is literally enough to make it true. To have God in your corner is to possess the strength…

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REVIEW: Aya [2012]

“Never follow your heart” It’s nice to take the road less traveled for adventure no matter how wild or tame the unknown journey becomes. That goes for those jumping headfirst and those unwittingly brought along. Because even if you didn’t intend for the unplanned sojourn, you cannot deny its allure once it’s begun. We take stock of the situation, weighing good against bad before ultimately deciding whether the risk is worth any potential gain. For Aya (Sarah Adler), kidnapping a tourist could end in criminal charges if the victim does…

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REVIEW: Hævnen [In a Better World] [2010]

“Not if you hit hard enough the first time” Heaven. Hell. Life. Death. We live within an existence that holds those four words as gospel. We strive to be good in hope for salvation while the threat of eternal damnation lingers just close enough to fear. Wars—whether big or small, on an international scale or a familial one—make us choose sides. We pick allegiances and create enemies where one might never have been. To be good means there is evil; without one, we could never understand the meaning of the…

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REVIEW: Centurion [2010]

“A man without his word is no better than a beast” Writer/director Neil Marshall has style and hopefully will continue to bring it forth on cinema screens for years to come, if he decides to travel back to America or not. Many lesser auteurs would have taken that Hollywood payday and looked for another to follow. Marshall, however, hot on the success of his spelunking horror/thriller The Descent, made Doomsday with US money only to see it falter out of the starting gate. Perhaps he had deals to remain stateside,…

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REVIEW: Brødre [Brothers] [2004]

“He had a little boy” I really don’t mind Hollywood remaking films, honestly. If a filmmaker really enjoyed something made overseas, I can’t blame him for wanting to expose America to what resonated so well personally to him. However, shouldn’t he then go the route of Tarantino or Scorsese and bring the actual movie over, helping audiences experience the original? Or have we become so self-righteous and elitist that subtitles cannot be bothered with? Are we really that lazy? To be fair, I haven’t seen the new remake Brothers, so…

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REVIEW: The International [2009]

“Slaves to debt” Why do I keep questioning the work of Tom Tykwer? True, I didn’t know that The International was his film until way after the marketing onslaught, but even then I still held a little trepidation, although much less than when I first saw the trailers looking kind of mediocre. The guy most definitely has the goods and I’m glad English language producers are showing the confidence to start handing him big budget flicks. Much like a Marc Forster, known for small scale story-heavy movies getting a shot…

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