REVIEW: Still Life [2015]

“It’s not too late” Oscar nominated producer (for The Full Monty) Uberto Pasolini‘s second film as writer/director isn’t easily categorized. Aptly labeled with the hybridized compromise “dramedy,” distributor Tribeca Films for some reason has attempted to also pitch it as a bit of a romance with both their current trailer and synopsis. This is a very misleading maneuver in hopes of selling a quiet, contemplative work to the masses looking for more than an existential cinematic poem. But that is exactly what Still Life is at its core: a glimpse…

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