TIFF19 REVIEW: Disappearance at Clifton Hill [2020]

We grew up there. Every lie told takes us one step closer to burying the truth forever. While this often applies to current events like with Aesop’s fable “The Boy Who Cried Wolf” wherein a community is numbed to a boy’s warnings enough to let a tragedy occur under their noses, director Albert Shin and co-writer James Schultz reveal how it can also hold weight for the past and perhaps prove victim to the opposite effect. Because what happens when the truth comes before the lie? If a child tells…

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REVIEW: Jupiter Ascending [2015]

“The problem with astrology … total bullshit” Sometimes filmgoers simply want to be entertained and often don’t mind when the means of that fun skews towards the headier side of things—no matter how implausible, campy, or convenient that direction proves. Jupiter Ascending isn’t trying to sell itself as some grand magnum opus that cures cancer; it’s merely a new space opera from the blockbuster sci-fi duo Wachowski Starship (Andy and Lana). They were commissioned by the studio to write exactly that in the hopes of franchise viability. Do I see…

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