REVIEW: BlacKkKlansman [2018]

Did you just use your real name? The fact that Spike Lee‘s BlacKkKlansman is based on a true story is absolutely crazy. A black rookie cop in Colorado calls the Ku Klux Klan, wins them over with racist rhetoric, and talks his precinct chief into approving an investigation wherein a white officer would pretend to be him in-person before ultimately coming face-to-face with Grand Wizard David Duke? You literally cannot write a more scathing commentary on the hubris of white supremacists or the courage of those fighting the good fight…

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TIFF15 REVIEW: Truth [2015]

“Don’t forget to eat” There’s a real issue with the media and how they have monetized news content over the past couple decades. Robert Redford has a great monologue as Dan Rather in James Vanderbilt‘s Truth speaking on the subject of “being there” when the switch was flipped. The film’s unsurprisingly very much interested in exposing this fact—despite our already being keenly aware of it and a majority of Americans preferring the sensationalism bred in the aftermath to actual investigative journalism—in the background of an exposé detailing Rather and more…

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REVIEW: American Ultra [2015]

“We fired the ugly one” When there are only seven basic plots—as the saying goes—to implicitly choose from as a screenwriter, genre-bending homage becomes the sole path towards creativity. So while Max Landis‘ script for American Ultra is The Bourne Identity meets Mr. and Mrs. Smith through a Pineapple Express filter, it’s a damn good ride regardless. He’s throwing common tropes on their head by making a government-trained agent into a paranoid stoner filled to the brim with anxiety. He’s creating laughs out of dramatic convention while director Nima Nourizadeh…

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REVIEW: Don Peyote [2014]

“Her cigarette never burned out” No one can say I didn’t do my due diligence, but I simply can’t wrap my head around Dan Fogler and Michael Canzoniero‘s stoner-tinted, loose modernization of Don Quixote aptly entitled Don Peyote. People often joke about certain cult films “working better” while high and I can’t help thinking this might actually be the optimal state to truly understand Warren Allman’s (Fogler) spiritual journey. I should know as I viewed it twice in the hopes that fatigue rendered me impossibly perplexed after the first screening…

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REVIEW: Take Me Home Tonight [2011]

“That was a metaphor. I totally got him.” As this week’s box office shows in contrast to my huge level of enjoyment with Take Me Home Tonight, it appears director Michael Dowse has another cult classic on his hands. Already with It’s All Gone Pete Tong and a duo of Fubar films containing a pretty vocal fan following—how else would what looks like a major low-budget flick in the latter get funding for sequel Balls to the Wall—I’d have to imagine the lackluster opening of his newest won’t get him…

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VIDEO: Atomic Tom Music Video for Take Me Home Tonight

I’ll admit, the more I see about the film Take Me Home Tonight, the more I want to see it. Atomic Tom came onto the scene with a music video/Apple promo on the NYC subway, played and shot live on iPhones, and now have covered “Don’t You Want Me” by The Human League. The video includes members of the film’s cast as they pay homage to a ton of classic 80s flicks. Good times are had by all, including us, the viewers. Courtesy of Relativity Media LLC: The 80’s are…

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REVIEW: Predators [2010]

“Certainly there is no hunting like the hunting of man” Sometimes you have to be dropped on an alien planet with a bunch of amoral killers to finally discover what it means to be human. The sentiment may be cheesy, but for some reason it works in the reboot/sequel hybrid Predators. I haven’t seen the first two installments, knowing only that Predator is supposedly a classic of the genre and Predator 2 good for a laugh at Danny Glover. After watching both Alien vs. Predator flicks, however, I wouldn’t say…

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REVIEW: Valentine’s Day [2010]

“It gives me acid reflux” Tonight’s gold star goes to the duo of Deborah Aquila and Mary Tricia Wood for their deal with the devil to compile a star-studded cast for the blatantly lackluster affair that is Valentine’s Day. I don’t know how they pulled it off—I’m sure the promise of a hefty payday for minimal work helped—but the name recognition on the poster and advertisements alone will go a long way in cementing the film’s number one status at the box office over it’s titular holiday weekend. The actual…

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REVIEW: Win a Date with Tad Hamilton [2004]

“Everyone is Tad Hamilton to someone” Unobtrusive would be a good word to use when describing the film Win a Date with Tad Hamilton. Is it obvious? Yes. Is it clichéd? Yes. Is it horrible? Not quite. With a few good laughs, some fun performances, and a decent soundtrack, the movie ends up being nice filler on an evening with nothing else to do. I even think it was better than Robert Luketic’s previous “chick flick” effort Legally Blonde, but then, I hated that one. With no expectations at all,…

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REVIEW: Spider-Man 3 [2007]

“I’d give my life for them” So here it is, the final piece to the Raimi/Maguire trilogy of superheroes and love conquering all. The first two installments in the franchise helped rejuvenate the comic book movie, making them be taken seriously and showing that a little imagination surrounded by the real world could create suspense, action, and heart. Spider-Man 3 had a lot of expectations to live up to, and not just to be cohesive and complete with three villains and a couple new faces on the side. I know…

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