REVIEW: Spider-Man: Far From Home [2019]

Please stop saying tingle. **There will obviously be Endgame spoilers.** It’s a post-“blip” world (the word humanity has agreed upon as a stand-in for the five-year period where half of world’s population disappeared at the snap of Thanos’ fingers) and the usual faces are gone. Nick Fury (Samuel L. Jackson) can no longer rely on Steve Rogers’ idealism, Natasha Romanoff’s loyalty, or Tony Stark’s genius as a last line of defense when Earth is challenged with a force the boots on the ground simply cannot handle. Captain Marvel is off…

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REVIEW: Spider-Man: Homecoming [2017]

“Guy in the chair” Here’s an unpopular opinion for you: I enjoyed The Amazing Spider-Man 2. Yes, the one with a blue Jamie Foxx. The only reason I bring it up is to say even I was dreading the proposed villain team-up spin-off and inevitable trilogy capper seemingly arriving at a place wherein Peter Parker’s parents would reveal themselves as being crucial to whatever really happened with that fateful radioactive arachnid. But that doesn’t mean I wanted another reboot. It was bad enough Sony already scrapped one failed attempt at…

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REVIEW: Table 19 [2017]

“Good luck with your future endeavors” I’d be very interested in reading the original script for Table 19 as drafted by Jay and Mark Duplass. If you don’t know, this 2017 release was optioned way back in 2009 with the brothers attached to direct as their fourth feature (it was competing with Cyrus as far as what would be next). Two years went by and it was still unmade, the studio hiring Jeffrey Blitz to come in and take over the helm. More than just directorial duties, however, Blitz took…

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REVIEW: Dope [2015]

“Congratulations. You have found your iPhone.” Malcolm Adekanbi (Shameik Moore) is a geek. You don’t even need the opening line of Rick Famuyiwa‘s Inglewood-set high school adventure Dope to state as much once we meet him. A self-proclaimed “oreo” with straight-As, constant beat-downs by Bloods-member Bug (Keith Stanfield), and Harvard aspirations his guidance counselor (Bruce Beatty) even scoffs at, the time to finally escape and be what his neighborhood loves to mock him for has arrived. SATs are around the corner, an interview with an Ivy League-alum in the position…

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REVIEW: The Grand Budapest Hotel [2014]

“Who’s got the throat-slitter?” The films of Wes Anderson have always resided in some sort of parallel universe full of stylistic flights of fancy, but never has one been so completely defined by its fantasy than The Grand Budapest Hotel. His previous work exists to pay homage with stories filled to the brim by aesthetic flourishes and meticulously detailed set dressings that transport us into his familiar yet unfamiliar worlds. Rather than start with story as usual, however, his latest seems to have sprung out from its environment. This shouldn’t…

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Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Has summer started early? Big blockbusters like Divergent, Noah, 300: Rise of an Empire, and Need for Speed are releasing in March—I guess they must therefore be the studios’ lesser…

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