REVIEW: Memory: The Origins of Alien [2019]

It lives in our dreams. Here’s the thing you should know up-front: Alexandre O. Philippe‘s Memory: The Origins of Alien doesn’t break new ground. No crazy revelations unknown before the documentary began production are discovered. Instead we get first-hand accounts of the struggles to get Alien made, the communal artistic synergy that ultimately helped propel it (the majority of talking head interviews), what it was like to be on-set as an actor (Tom Skerritt and Veronica Cartwright are the only participants save archival comments from John Hurt), and how critics,…

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REVIEW: A Hologram for the King [2016]

“Look. They are sweeping sand in the desert.” If you’re doubling-down on the existential content of your film as soon as it begins, you can do worse than Talking Heads classic “Once in a Lifetime”. Not only does it perfectly encapsulate the fallout of a mid-life crisis wherein everything you believed made you who you are disappears (Poof!), but it accurately mirrors Alan Clay’s (Tom Hanks) life too. He’s a recently divorced father forced to travel to Saudi Arabia in hopes of landing a huge deal selling holographic technology to…

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REVIEW: Alien [1979]

“What is Special Order 937?” When you hear the title Alien, images are conjured up of Bill Paxton having a mental breakdown, Lance Henriksen rapidly stabbing a knife through his fingers, and Sigourney Weaver‘s Ripley inside a mechanical forklift suit engaging a slobbering, hulking monster. The most fascinating thing about this comes not from how iconic the franchise has become, but instead the realization that none of these moments occurred in the original film. Somehow James Cameron‘s action-packed sequel has usurped its predecessor’s slow, cerebral horror in our consciousness to…

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