We’re in a tomb. Despite being neither a household name nor one I could immediately place, seeing writer/director Seth A. Smith attached to a film while sifting through the schedule at the Fantasia International Film Festival forced me to pause. A quick search later revealed him to be the filmmaker behind 2017’s The Crescent—an under-rated gem that enthralled me via narrative and visuals alike. It didn’t therefore matter what his latest, Tin Can, was about because I felt confident it would prove memorable whether I ended up enjoying it or…
Read MoreFANTASIA21 REVIEW: Tin Can [2022]
