Posterized Propaganda April 2012: Where Art and Commerce Meet

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. There’s a good mix of work coming out in April and the posters do well to mirror such. I’m not quite sure how Chris Sparling could have his script for…

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TIFF11 INTERVIEW: Willem Dafoe (actor) and Daniel Nettheim (director), of The Hunter

On press duty for their new film The Hunter at the Toronto International Film Festival, director Daniel Nettheim and Willem Dafoe have been discussing Tasmania, Julia Leigh’s source material, and their cinematic sensibilities. It’s a character-driven piece that showcases its star’s craft while also the exotic environment his job of capturing the last Tasmanian tiger brings. My review can be read here. Sitting down as part of a roundtable interview with two fellow Americans, an Italian, a Spaniard, a Chilean, and a German, the two were quite forthcoming and conversational…

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TIFF11 REVIEW: The Hunter [2011]

“GO HOME GREENIE” The Australian takeover in cineplexes worldwide continues at the Toronto International Film Festival in 2011. With more and more work finding distribution to travel off the island, one woman is writing her chapter in the movement. A novelist of two acclaimed works, Julia Leigh has already found her way into Cannes with an original film of sexual desire—Sleeping Beauty. And while the buzz is high, another film sporting her name in the credits deserves just as much notice. Directed by Daniel Nettheim from a screenplay by Alice…

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