INTERVIEW: David Gordon Green, director of Manglehorn

In the six years between Snow Angels and Prince Avalanche, writer/director David Gordon Green became a collaborator on a string of comedies of which he was not credited as a writer. In the two years since he’s utilized that process with drama Joe and now Manglehorn. He’s said in other interviews that it’s a way for him to have multiple projects going at once, passing ideas onto others to see what develops into something he wishes to pursue and what doesn’t. And as he tells us below, it also allows…

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INTERVIEW: William Fichtner, actor and Cheektowaga, NY native

Even if the name William Fichtner hasn’t procured a place on your cinematic Rolodex, you definitely know his face. He had a successful run on hit TV series “Prison Break” as complicated FBI Agent Alex Mahone, recently starred opposite the latest incarnation of the Teenage Mutant Ninja Turtles, and found himself standing in the way of Heath Ledger‘s Joker during The Dark Knight‘s opening heist. There’s also his Colonel Willie Sharp sternly uttering my father’s favorite Armageddon quote: “Get off the nuclear warhead … now.” He’s coming into focus now,…

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REVIEW: Gangster Squad [2013]

“Who’s the tomato?” Tragedies like last year’s Aurora, Colorado shooting on The Dark Knight Rises‘ opening night are just that—tragic. We can never image the pain, anger, and heartache of families and friends effected or ever want to think it could happen to us. So when art skews close to reenacting that suffering—albeit with no relation whatsoever to the actual event—one can understand the trepidation in not wanting to exacerbate things by belittling the horror or appearing callous and uncaring. This is why I’m not surprised Warner Brothers held their…

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TIFF11 REVIEW: Twixt [2012]

“Keeping track of time around here is pointless” After a stellar career directing some of cinema’s greats—The Godfather, Apocalypse Now, The Conversation—you can’t blame Francis Ford Coppola for deciding to film smaller passion projects in his twilight. After the self-financed Tetro and Youth Without Youth, he returns with a story from an unusual origin. With an alcohol-induced dream in Istanbul, a vivid conversation with Edgar Allen Poe while a murder mystery happens as a backdrop, the impetus behind Twixt was born. Awoken before its end, Coppola scribbled down what he…

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BNFF11 REVIEW: Uncle Louie [2011]

“I crave something cold and chocolate” When you look at the poster for R. Allen Russell’s Uncle Louie, it’s hard not to imagine an overwrought drama featuring a Godfather-esque mob boss presiding over his subjects. The opening scene plays up the stereotype as Benny (Craig Ferriera) takes a stroll through the California streets of his home, a Chihuahua stuffed inside his jacket front. Italian-isms such as this comedic choice of characterization populate the whole of the film, making it more parody than drama although it’s surprising level of introspection and…

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REVIEW: Despicable Me [2010]

“Oh yes, I have pins and needles I’m sitting on” Yet another hat is thrown into the ring. Illumination Entertainment joins the stiff competition of Hollywood animators, bringing along with it a stellar voice cast and the ever-present 3D format. Christopher Meledandri—the man behind Fox’s steady rise into becoming one of the top three studios of the medium alongside Pixar and DreamWorks—left his executive job to head up this new company, pilfering artist Chris Renaud to co-direct the firm’s debut Despicable Me with Pierre Coffin. Let’s just say that it’s…

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