REVIEW: The Fate of the Furious [2017]

“That’s a lot of ice cream and Tay Tay concerts” A new era in The Fast and the Furious lore has begun almost four years after original co-star Paul Walker passed away doing exactly what his character Brian O’Conner did in the films: drive fast. With his role shelved by retirement rather than death, the goodness Brian provided Dom Toretto (Vin Diesel) and his band of miscreants remains in the background as an unseen sense of morality and justice. It lingers to bolster the group’s sense of “family” and togetherness…

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REVIEW: Shopping [1994]

“Don’t get caught” I don’t know what it is about Paul W.S. Anderson, but I very rarely dislike his flicks no matter the critical consensus or fandom drubbings. He isn’t the best director out there but he has created some interesting vehicles despite it—enough to accept the fact that Hollywood studios will continue giving him money to make them. And even though it’s a far cry from the video game adaptations serving as his claim to fame, Anderson’s debut Shopping feels right at home alongside Resident Evil and Mortal Kombat.…

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REVIEW: Point Break [2015]

“Do you own a suit, son?” We’ve officially come full circle. Point Break arrived in 1991 with more cheese than a Green Bay Packers game and ten years later a fresh generation got to enjoy an ambiguous cops and robbers romp that moved the same basic plot from ocean to streets with The Fast and the Furious. It’s probably an obscure connection at best, but the cinematographer of than unofficial remake, Ericson Core, just happens to now be the man to bring a brand new version of the original story…

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REVIEW: Point Break [1991]

“Sir, I take the skin off chicken” ***SPOILERS*** I’m thankful I always saw Point Break as stupid fun watching it years ago because there’s no way I could ever take it seriously today. But rather than have the decade-spanning The Fast and the Furious rip-off saga and hilarious spoofing in Hot Fuzz among others ruin it by pointing out its well-documented flaws, they’ve instead enhanced my enjoyment. Any filter that may have allowed me to acknowledge it as a “90s classic” like some still do was removed ten years ago…

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REVIEW: Gone in Sixty Seconds [2000]

“Two Rogers don’t make a right” There are more than a few unexpected things concerning the Gone in Sixty Seconds remake that surprised me. One was the huge cast of familiar faces. Another the full embracement of its spectacular levels of cheese. And despite marketing materials and especially the poster, Angelina Jolie is far from a second lead and barely onscreen thirty minutes. Heck, besides the botched heist at the beginning that sets the chain of events that brings Randall ‘Memphis’ Raines (Nicolas Cage) out of retirement in motion, we…

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REVIEW: Fast & Furious [2009]

“He used to date my sister” While only grossing half of its predecessor’s haul to make it seem as though Paul Walker‘s absence was a huge box office hindrance, Tokyo Drift still almost doubled its budget despite no discernible connection to the franchise that spawned it until the very end (minus its drag racing theme). It was apparently enough for the studio to gauge interest and see whether the quickly fading from public consciousness Walker and Vin Diesel wanted some easy money. With director Justin Lin‘s visual style alongside screenwriter…

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REVIEW: The Fast and the Furious: Tokyo Drift [2006]

“I thought you loved me?” The Justin Lin/Chris Morgan era begins with The Fast and the Furious: Tokyo Drift and it’s a welcome improvement. Not only does the visual style evolve to be less cartoonish in its power zooms, but the sense of humor finds a happy medium between The Fast and the Furious‘ severity and 2 Fast 2 Furious‘ all-out comedy. In fact, this installment of the franchise is brought to life with both feet (loosely) planted in reality, making me scratch my head as to how the director/writer…

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REVIEW: 2 Fast 2 Furious [2003]

“I’m not going back to Barstow” It would appear that we have Michael Brandt and Derek Haas to blame (thank?) for the sudden change from overwrought melodrama to self-aware comedy I would attribute to giving the Fast and the Furious franchise its longevity. Being that I had only ever seen the first, fifth, and sixth installments, I wasn’t quite sure what happened in between because, while I enjoyed the latter two, I simply couldn’t get into the original. Not only was it riffing on Point Break the wrong way by…

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Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Has summer started early? Big blockbusters like Divergent, Noah, 300: Rise of an Empire, and Need for Speed are releasing in March—I guess they must therefore be the studios’ lesser…

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REVIEW: RED 2 [2013]

“I was very touched that you cried at my funeral” For DC Comics imprint Homage’s RED, screenwriters Jon and Erich Hoeber turned Warren Ellis and Cully Hamner’s original work into a surprise box office hit with an inspired cast of aged, former CIA operatives presently labeled “retired: extremely dangerous”. The goal with any successful comic book adaptation is then to greenlight a sequel in the hopes lightning will strike twice in a bigger and better way. Like many before them, however, the task of expanding on a winner is never…

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REVIEW: Fast Five [2011]

“Running ain’t freedom—you should know that” If your city’s government finds a request to hold the twenty-year anniversary for The Fast and the Furious reunion, ask Rio de Janeiro how the tenth turned out. A rogue’s gallery of almost every cast member to get behind a car in the series, Fast Five lays it all out on the line by destroying miles of road, a bank’s lobby, and an entire fleet of cars with policía lettered on their side, all while over-using the Statue of Christ the Redeemer for each…

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