REVIEW: Gone in the Night [2022]

I will let you know when I’ve had enough adventure. Director Eli Horowitz (of “Homecoming” fame) speaks about his projects always starting with “something simple, even superficial.” If there’s a better descriptor for using a cabin in the woods as your springboard towards genre fare, I don’t know it. That’s not to say his and co-writer Matthew Derby‘s Gone in the Night (formerly The Cow) is superficial itself or that it uses said trope in a superficial way. In many regards the cabin being a cabin is unnecessary beyond its…

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