REVIEW: Alexander and the Terrible, Horrible, No Good, Very Bad Day [2014]

“His pox is your gain” I’m a little disappointed I never read Judith Viorst‘s Alexander and the Terrible, Horrible, No Good, Very Bad Day because it seems exactly the type of book I would have read as a child. If you’ve had the pleasure (it was published in 1972) and wonder how a feature length film could come from 32-pages that literally show nothing but their titular character having the worst luck ever on a very busy day, don’t be surprised when screenwriter Rob Lieber adds the tried and true…

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Summer Fun Film Festivals in WNY

With the dwindling numbers of drive-in theaters across the country, independent theaters finding it difficult to compete with huge chains, and the ever-fluctuating national box office needing too many 3D films to turn a profit, certain cities somehow find a way to keep the medium alive. Buffalo is one of them and always has been since I can remember. My days as a high schooler trying to figure out plans with friends for the weekend always ended up being decided between catch the latest blockbuster or hit up the local…

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TIFF13 REVIEW: Bad Words [2014]

“I threw a tantrum just to get attention” Perhaps Jason Bateman is tired of playing the likeable voice of reason amongst more idiotic counterparts that his iconic turn as Michael Bluth on “Arrested Development” has typecast him into performing ever since the show’s debut launched his comeback into public consciousness. I’m not sure anyone can deny the fact that he’s played some variation on this character whether it’s Horrible Bosses, The Change-Up, or Identity Thief. The consummate straight man with unparalleled comedic timing, Bateman has finally found a role that…

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Posterized Propaganda February 2013: A Snort of Fresh Air with ‘Warm Bodies’, ‘Identity Thief,’ ‘Charles Swan’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. February. Just outside of the dump month that is January and yet still devoid of any true must-sees besides the arty ones no one has heard of and the umpteenth…

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Posterized Propaganda August 2011: Summer Excess vs. Indie Class

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. It’s sad to say, but August 2011 is a dismal month for quality poster design. I guess this shouldn’t be too big a surprise since it’s the tail end…

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REVIEW: The Change-Up [2011]

“Rotate your turret and go night night” It may be overly derisive to say, especially from a guy who watched Like Father Like Son and Vice Versa religiously during the late-80s, but The Change-Up has to end up being the laziest piece of cinema released this year. Scribed by the duo behind both Hangover flicks, Jon Lucas and Scott Moore appear to be making a conscious effort to create ‘modern updates’ of tired concepts. After the ho-hum, not as bad as it should have been Ghosts of Girlfriends Past redid…

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