REVIEW: Little Woods [2019]

Your choices are only as good as your options. There’s a great documentary about what life is like in the fracking boomtowns of North Dakota entitled The Overnighters. In it we witness an example of humanity at its simultaneous best and worst. Desperate men seeking an escape from troubles back home arrive to find a different sort of struggle that they may never overcome despite promises sold. Angels prove themselves to be demons and vice versa as director Jesse Moss collects candid interviews that reveal just how bad things are…

Read More

REVIEW: Creed II [2018]

Gimme back my keys. There’s no better way to recognize what a filmmaker brings to the table than a sequel without him/her. This isn’t to say Ryan Coogler wasn’t involved in the making of Creed II—he is a producer on the project after all. No, it’s simply to point out how different Creed was to the Rocky films that came before it. Yes it was pretty much a redux of the original installment that put Sylvester Stallone on Hollywood’s map as both a leading actor and screenwriter, but it relived…

Read More

REVIEW: Sorry to Bother You [2018]

More like apples and the Holocaust. If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly surreal. The film is Sorry to Bother You and it was born from the artist’s own time as a telemarketer wherein success forced him to change who he was to earn higher sales. By putting…

Read More

REVIEW: Annihilation [2018]

Sometimes it’s beautiful. Reflections have been the subject of many fantasies whether it’s Through the Looking-Glass or Poltergeist III. The notion that a double exists in a different world conjures an unavoidable eeriness and the possibility of usurpation wherein fiction could become truth. It’s easy to therefore see the inherent duality as a good versus evil scenario with conqueror and conquered fighting for the opportunity to exist. But what happens when you make your mirror less smooth? What if the prism through which your image has been duplicated refracts rather…

Read More

REVIEW: Thor: Ragnarok [2017]

Good luck with that, new Doug! Marvel fatigue has officially hit me, but not like a ton of bricks as much as a nagging sense that the studio is merely going through the motions. Unfortunately this slow unraveling is worse than a huge misstep because it means that a shift back onto the rails is less likely, especially with everyone hailing Thor: Ragnarok as a franchise entry that “breaks the rules.” If that means “push plot to the background for bloated excess dragging pacing out to the point of realizing…

Read More

REVIEW: Creed [2015]

“Now that we’re family, who won that third fight?” The question on everyone’s mind gets answered immediately in Ryan Coogler‘s Creed: How can Michael B. Jordan be Apollo Creed’s son if he was already born throughout Carl Weather‘s run of four Rocky films? Well, Adonis Johnson (Jordan) isn’t that boy. Instead he’s a child out of wedlock whose mother was pregnant at the time of the boxer’s death. Sadly she also passed away leaving young Adonis in and out of foster homes and juvenile detention centers until Mary Anne Creed…

Read More