REVIEW: Sorry to Bother You [2018]

More like apples and the Holocaust. If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly surreal. The film is Sorry to Bother You and it was born from the artist’s own time as a telemarketer wherein success forced him to change who he was to earn higher sales. By putting…

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REVIEW: Deadpool 2 [2018]

We can’t really live until we die a little. The biggest critical gripe coming out of the first Deadpool film was that its attempt to subvert the superhero genre was squandered by being a superhero film. What does that mean? It literally is a superhero film. The character is an X-Men alum who exists to fight bad guys (and good guys alike). So the plot was always going to follow a familiar arc towards finding redemption and/or revenge against those foes/friends. Where it diverted from the formula was its embracement…

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REVIEW: Blended [2014]

“And the mustache is rattled” When an overused gag showed up for the third of about five times during Blended‘s runtime, the twenty-something college dude chowing down on his mall food court dinner uttered to his buddy the telling phrase, “This movie’s off the hook”. Now while this is a stunning and apt commentary on the state of America’s appetite for easy physical humor, it turns from educational thesis into farce when I tell you it was this gentleman’s second time saying it. He pretty much epitomized the demographic Hollywood…

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REVIEW: The Expendables 2 [2012]

“Can’t beat a classic” And here I thought the buzz was about how much The Expendables 2 made good on the promise set forth and not quite attained by The Expendables. It was going to be chock-full of humorous banter, over-the-top antics, bloody pulpy carnage, and as much fun as one berserker action flick can contain. There would be story, a worthy villain, and a reason for guys like Chuck Norris, Arnold Schwarzenegger, and Jean-Claude Van Damme to come back from the shadows of obscurity. It wasn’t like these guys…

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REVIEW: Balls of Fury [2007]

“I’m going to Disneyland!” With the appropriately titled book Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too! under their belts, one could easily make the case for Balls of Fury being Robert Ben Garant and Thomas Lennon‘s cornerstone in screenwriting profiteering. A sports redemption tale set inside the seedy underbelly of elite ping-pong, the premise is laughable as a comedy skit let alone a feature length film. But this is what Garant and Lennon—comedians and creators of “The…

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REVIEW: Bridesmaids [2011]

“Hold on for one more day” The best things a comedy can do are to exceed expectations and prove you don’t need to show all the funny parts in the trailer to con people into coming. Kristen Wiig and co-writer Annie Mumolo achieve both with their ‘stone-cold pack of weirdoes’ gearing up for the bride-to-be’s wedding day. Following in Tina Fey’s footsteps as SNLer turned feature film comedy scribe, Wiig branches out from the tv sketch show with help from Judd Apatow and his gang, including director Paul Feig, to…

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REVIEW: The Expendables [2010]

“I woulda win” When a summer movie season can be described as disappointing and have it be an understatement, nothing says popcorn blockbuster better than a big budget action flick. 2010 never quite had anything to fit the bill, but that wasn’t going to stop Sylvester Stallone from attempting to bring the masses something close. The hype has been huge as Sly compiled a who’s who cast of action stars (relevant and not), fringe athletes, and badass character folk like Eric Roberts and Mickey Rourke to literally blow up anything…

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