I’m just the vessel. There’s a moment in Jeremy Hersh‘s feature directorial debut The Surrogate where a heated argument devoid of any correct answers reaches the inevitable question: “Where do you draw the line?” It’s the corner in which we all find ourselves when forced to confront what Hersh calls “the gap between ideals and practical realities.” Because even if we refuse to create such barriers when thinking about topics in the abstract, we’re often very quick to erect them at the exact moment an issue concerns us personally. Maybe…
Read MoreREVIEW: The Surrogate [2020]
