REVIEW: Serenity [2019]

Go catch that fish, Dill. **Spoilers** I was rooting for Steven Knight‘s Serenity long before sitting down at the theater. Why wouldn’t I? The trailer had it looking like one of my favorite types of films—namely the sort wherein what we see and experience ultimately proves to be the inner-workings of a troubled, delusional mind. I clung to this belief that there would be more than meets the eye even tighter upon hearing how stars Matthew McConaughey and Anne Hathaway got angry at Aviron Pictures for canceling their planned press…

Read More

REVIEW: Allied [2016]

“Look for the hummingbird” Sometimes that story you’ve had bouncing around your head needs time to gestate and your career the opportunity to blossom before it can be released upon the world. For Steven Knight it was a bit of both. Already nominated for an Oscar back in 2004 for the brilliant Dirty Pretty Things, the screenwriter soon wrote Eastern Promises before directing the intriguing one-man show Locke. A couple underrated gems (Pawn Sacrifice), some duds (Seventh Son), and a critically acclaimed television series later (“Peaky Blinders”), he finally put…

Read More

REVIEW: Pawn Sacrifice [2015]

“I’m searching for the truth” I’ve always been fascinated by Bobby Fischer due to his vanishing rather than anything he accomplished at a chessboard. I’ve never been good at the game, yet I respect its complexity. The greats literally memorize past matches and maneuvers, so in-tune with the playing field that they can play out loud with nothing more than words. Fischer was a great—the youngest Grandmaster in history and the first American-born World Champion. Like most geniuses, however, the strain of intellect, pressure, and success brought with it a…

Read More

REVIEW: The Hundred-Foot Journey [2014]

“You cook to make ghosts” With Chocolat and Salmon Fishing in the Yemen under his belt, The Hundred-Foot Journey isn’t anything approaching new territory for director Lasse Hallström. But if it ain’t broke don’t fix it, right? Honestly, if he can continue making feel good tales like this—bona fide crowd-pleasers—we should all be happy since it keeps him busy and away from the allure of helming a hat trick of Nicholas Sparks adaptations. There may be no surprises in this cinematic version of a novel Oprah Winfrey selected as part…

Read More

REVIEW: Locke [2014]

**POSSIBLE SPOILERS** “So am I on a list?” There’s symmetry between the production of Steven Knight‘s Locke and its plot. Like the insane job everyone’s imploding over that its lead bails on while driving an hour away to be present at the birth of a child conceived with someone who’s not his wife, getting this film made was no walk in the park. For Knight it was an idea to strip down filmmaking sparked by the experience directing his debut Hummingbird and falling in love with the colorful reflections created…

Read More

REVIEW: Closed Circuit [2013]

“The judicial process in this country is and will remain fair and transparent” Director John Crowley is a man with good luck picking screenplays. His feature film debut Intermission is a fun Irish romp while drama Boy A is in my opinion criminally underrated and ignored. So, seeing him sign onto a project written by the man behind Dirty Pretty Things and Eastern Promises—Steven Knight—was an exciting discovery, especially after finding the thriller’s trailer to be intriguing enough without spoiling too much of its conspiratorial plot. And everything does work…

Read More

REVIEW: Eastern Promises [2007]

“Good evening” I have been a David Cronenberg fan ever since my college portfolio review, where the professors, looking over a piece I did in high school, asked if I had ever seen Videodrome. At that point I had already seen eXistenZ, yet didn’t know it was from the same creative mind. Ever since, I have continued my quest to see everything he has done. I’m not quite there, but over the past few years, I have been allowed to see his work on the big screen. First was his…

Read More