Going home to play a song for the ashes. It’s been thirty-five years since Dovidl (Jonah Hauer-King) disappeared in 1951. He was a violinist—a genius virtuoso depending on whom you asked (himself included)—primed to make his London debut in a sold out house courtesy of the man that served as his guardian the previous decade-plus (Stanley Townsend‘s Gilbert Simmonds). One second he had his prized instrument in-hand while friend/surrogate brother/Gilbert’s son Martin (Gerran Howell) told him to relax and enjoy the moment. Dovidl was finally going to show the world…
Read MoreREVIEW: The Song of Names [2019]
