Top 100 Films of the Decade: 2010-2019

If you asked me in 2010 which studios’ films would be amongst my favorites over the next ten years, I probably would have answered two correctly: Fox Searchlight (11) and Sony Pictures Classics (7). Those are two independent shingles of big Hollywood names that have been pumping out quality pictures for decades. Next up would have been The Weinstein Company (5), Warner Bros. (4), Paramount (4), Universal (4), and Sony Pictures (3) because they were cinema. So why are they barely beating those other two combined? Because the game changed.…

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REVIEW: El Club [The Club] [2015]

“Has it ever occurred to you that you’re a criminal?” This is a film about deafening silence and how one unexpected intrusion can turn the normalcy of its sequestered solitude on its head. It’s a silence we have seen before a couple months ago in Spotlight—there too it was extracted from secret penance to the penal system of public consciousness. Pablo Larraín‘s vision is on a much smaller scale although the ramifications are just as brutally blunt and far-reaching. For him the issue wasn’t exposing the crimes of Catholic priests…

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Top Ten Films of 2015: Where emotions run high

I have no problem saying 2015 was a great year for cinema. Putting together a Top Ten was difficult at every turn—both because each time I had to do so meant I had seen more films and as a result of my preferences constantly changing. There are more than a few from 11-20 that easily could be Top Ten candidates on a different day. Sadly for them that day isn’t today. Happily for us: the art’s level of quality was good enough to cause such problems. Rules: eligible feature-length films…

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The 88th Oscars recap through tweets …

  The Oscars are today! You know, the awards show where Leonardo DiCaprio is “overdue” but black people can “wait till next year.” — Bette Midler (@BetteMidler) February 28, 2016 Bette Midler‘s tweet hours before the 88th Annual Academy Awards started says it all above. #OscarsSoWhite would and to a point should be the focus of the show because all the chaos that ensued once the nominations revealed a second consecutive year without a non-white acting nod deemed it so. However, the uproar was directed towards the Academy hastily and…

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Picking Winners at the 88th Annual Academy Awards

For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Here’s hoping Chris Rock does his best Ricky Gervais as far as not caring about political correctness or duty to kissing up to the celebrities all dressed-up nice because having him host the 2016 Oscars ceremony amidst the whole #OscarsSoWhite controversy is an opportunity not to be squandered. Two years in a row with no black actor/actress up for gold? That’s a major problem with The Academy and the…

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Online Film Critics Society Ballot 2015

Below is my December 12th ballot for the 19th annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2015 calendar year. Group winners are highlighted in red. Best Picture #1 Inside Out . #2 Carol . #3 Spotlight . #4 Ex Machina . #5 Mad Max Fury Road #6 Brooklyn #7 The Revenant #8 Room #9 The Martian #10 Sicario Best Animated Film #1 Inside Out . #2 Shaun the Sheep Movie #3 Anomalisa . #4 The Peanuts Movie #5 The Good Dinosaur…

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REVIEW: Spotlight [2015]

“What arraignment?” If Thomas McCarthy’s maligned fairy tale The Cobbler provided any help in securing money to put his script Spotlight in front of cameras, it was worth every disparaging word thrown its way. Co-written with Josh Singer, this 2013 Blacklist alum proves an informative and accurate look at the investigative journalism process as well as an engrossing exposé that refuses to let go despite our knowing the story it exposed. Much like famed predecessor All the President’s Men, audiences arrive keenly aware of the Catholic Church scandal at its…

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REVIEW: Mad Max: Fury Road [2015]

“Our babies will not be warlords” It’s not often delays, financial dissolutions, and waning interest make a film better, but I don’t want to know what Mad Max: Fury Road might have been without them. In its current form the film embodies a logical escalation of what director George Miller began over three decades ago by embracing the insanity eating away at his titular road warrior’s resolve. Survival becomes a collective pursuit whether in the wastelands left behind after wars ravaged the earth of gasoline, water, humanity, and life itself…

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