REVIEW: Annette [2021]

Shut up and sit. When a “provocateur” such as comedian Henry McHenry’s (Adam Driver, who thanked Chris Rock and Bill Burr in the credits) crudely ambiguous “jokes” are as unfunny when he’s all the rage pre-marriage as the ones told after fatigue ravages his brain post-birth of his daughter, it’s tough to really dig into the reality of what’s happening on-screen. Was I supposed to find the initial stand-up gig at the beginning of Leos Carax‘s Annette (original story and songs by Sparks brothers Ron and Russell Mael) funny? I…

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REVIEW: Florence Foster Jenkins [2016]

“There is no one quite like you” I wanted to think that Florence Foster Jenkins intrigues specifically because her story couldn’t occur today as it did then. So many contemporary celebrities willfully embrace their lack of talent now, monetizing themselves into greater successes than those with the merit to earn it. Her level of delusion—to believe she wasn’t being laughed at—is impossible because they crave being the butt of jokes. It supplies them their fifteen minutes with the potential for much, much more. Sometimes they even become so popular that…

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INTERVIEW: Stephen Frears, director of The Program

It’s proving to be a couple of busy months for legendary director Stephen Frears, fresh off his delightful true-life story Philomena making an Oscar run in 2013. Not only does he have his Lance Armstrong biopic The Program opening US theaters this Friday (March 18th), but his newest Florence Foster Jenkins also hits UK screens May 6th. It appears the filmmaker has embraced telling the tales of real people whether of empathetic note or infamy. This hectic schedule made cementing an interview very difficult, regardless, we were still able to…

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REVIEW: A Serious Man [2009]

“Did he tell you about the Goy’s teeth?” Despite the prevalent use of Hebrew without translation and, I’m sure, many instances of Jewish culture that I am unfamiliar with, I really enjoyed the new Coen Brothers film A Serious Man. The film, while a bit odd and seemingly schizophrenic in tone, is vintage Coen, harkening to the days of Barton Fink with its dark subtlety. Following up an all-out comedy in Burn After Reading, the new movie would seem out of place for viewers unfamiliar with the directors’ work, however,…

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“The Big Bang Theory”: Sitcom Comedy for the Mindless or Social Commentary on Genius and Its Idiosyncrasies?

I will be the first to admit that I was brainwashed by the Hollywood machine and never had an interest to check out the CBS comedy “The Big Bang Theory”. Its marketing campaign billed it as another stupid sitcom to bring in money and entertain the mindless hordes of America. Why would I want to sit and watch 21 minutes of a half hour block filled with nerdy twenty-somethings and their lame attempts at getting women? To me this was a show about Sheldon, (Jim Parsons), and Leonard, (Johnny Galecki),…

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