May all your dreams come true. Since it’s an homage to Au hasard Balthazar, I guess I shouldn’t be surprised to find myself just as unenthused by Jerzy Skolimowski‘s EO as I was to Robert Bresson‘s cinematic touchstone. That’s not to say their comparisons and contrasts exist on a one-to-one basis, however. They’re actually very different films altogether. But for every improvement (letting the titular donkey be the lead character rather than merely a voyeur destined to return to his darling Marie) comes the realization that even less is being…
Read MoreREVIEW: EO [2022]
