REVIEW: Summering [2022]

This is our body. It used to be that going to see the dead body was the adventure. Now we have a need to figure out why the body is dead. There’s probably something in this contrast that speaks to the evolutionary shift in technology, adolescent maturity, and genre envelope-pushing that occurred between Stand By Me in 1986 and Summering in 2022, but the latter isn’t necessarily interested in the differences as much as it is in pretending differences don’t exist. The world has changed while our children’s comprehension of…

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REVIEW: XX [2017]

“Well I have to eat. Don’t I?” The concept is simple: task four female directors to create and film four unrelated shorts in the horror vein—with female-led casts—to be combined into a single compilation in which to show off the talents and voices of artists Hollywood continues to ignore. Tap newcomer Jovanka Vuckovic (whose “The Box” is based on a story by Jack Ketchum), musician Annie ‘St. Vincent’ Clark with her debut behind the camera (“The Birthday Party”), the veteran leadership of V/H/S producer and Southbound helmer Roxanne Benjamin (with…

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