TIFF16 REVIEW: Free Fire [2017]

“Talk about a fucking sledgehammer to crack a nut” TIFF’s Colin Geddes was correct when introducing Ben Wheatley‘s bottle episode of a film Free Fire with the words: “This will wake you up.” The gunfire alone risks perforating your eardrums as John Denver blares from a 1978-era van’s eight-track, but I think it’s the surprising wealth of comedy that ultimately gets the blood pumping and synapses triggering. Wheatley and wife/writer Amy Jump‘s latest isn’t for everyone—fair warning to Hardcore Henry detractors, Sharlto Copley refuses to quit—but those willing to break…

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REVIEW: Maleficent [2014]

“Goodbye, Beastie” Let’s be honest, Disney’s Sleeping Beauty is a bit of a bore. I remember my sister often wanting to watch when we were kids and me having none of it until the end’s fire and brimstone and menacing dragon spawned from the tale’s creepy, wide-smiling villain. Did I understand the fairy’s reason for cursing the princess? No. I’m not quite sure I realized the political ramifications of her baby shower invite getting lost in the mail until it was explained to me last night after watching Maleficent—the Mouse…

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Posterized Propaganda August 2011: Summer Excess vs. Indie Class

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. It’s sad to say, but August 2011 is a dismal month for quality poster design. I guess this shouldn’t be too big a surprise since it’s the tail end…

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REVIEW: Franklyn [2009]

“Without faith, it’s difficult to be controlled” Blind faith in God can lead to two outcomes; it’s either a way to accept an event and seek the good that can come from tragedy or a springboard to absolute atheism once you realize an event like that which has transpired can’t occur in a world where God exists. For the believers, life will go on and the big picture plan will eventually be revealed; for the non-believers, life will be a journey through mindless souls that have given themselves over to…

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Top Ten Films of 2007: The Year of the Adaptation

It was a year of many genres. We had some musicals, a few dramas, comedies galore, a little sci-fi, and a couple bio-pics sprinkled in to satiate the kiddies and Oscar voters. If anything, I guess one trend seemed to rise above, that being the adaptation, whether from plays (Sweeney Todd), novels (Zodiac), or comics (Stardust). I always try to read first, but the shear amount this year prevented me from doing so, therefore I can’t quite say if they were all successes or not. In the end, after seeing…

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REVIEW: Control [2007]

“Love will tear us apart, again” Anton Corbijn has finally joined the ranks of his contemporaries Spike Jonze, Michel Gondry, and Mark Romanek in directing his first full-length feature. No one could have been a better choice than this still photographer and music video director of cutting edge bands like Depeche Mode, Echo and the Bunnymen, and, of course, Joy Division themselves with the video for “Atmosphere” (albeit eight years after the death of frontman Ian Curtis). Corbijn has the sensibilities to craft a gorgeous study of a man on…

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