REVIEW: The Little Stranger [2018]

Well you’re forgiven now. Novelist Sarah Waters said her intent with The Little Stranger was never to write a ghost story, but instead speak about the rise of socialism in the United Kingdom and how those of affluent stature just below the nobility dealt with the decline of their legacies in its aftermath. I haven’t read the book myself, but this all rings true as far as Lenny Abrahamson‘s cinematic adaptation. Scripted by Lucinda Coxon, the result is more gothic romance than horror at first glance. While the marketing has…

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REVIEW: Locke [2014]

**POSSIBLE SPOILERS** “So am I on a list?” There’s symmetry between the production of Steven Knight‘s Locke and its plot. Like the insane job everyone’s imploding over that its lead bails on while driving an hour away to be present at the birth of a child conceived with someone who’s not his wife, getting this film made was no walk in the park. For Knight it was an idea to strip down filmmaking sparked by the experience directing his debut Hummingbird and falling in love with the colorful reflections created…

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REVIEW: Saving Mr. Banks [2013]

“A leisurely stroll is a gift” If you thought Mary Poppins couldn’t get more uplifting in its journey towards giving two young children the love they always desired from their downtrodden dad, Saving Mr. Banks will prove you wrong. Utilizing a script by Kelly Marcel (a second credit was later added to Sue Smith) that only lasted one year on the screenplay Black List before being scooped up by the studio prominently featured within it, we’re shown a rather humorous behind-the-scenes look at the culmination of a twenty-year business courtship…

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REVIEW: The Lone Ranger [2013]

“A fairly sinister jar of pickles at the bar” To sum up Disney’s big budget reboot of Fran Striker and George W. Trendle’s radio show turned television hit The Lone Ranger in one word conjures “silly”. It’s silly to read how Ted Elliott and Terry Rossio’s original script involved werewolves—John Reid’s outlaw does use silver bullets after all. It’s silly—and offensive—that the producers cast a movie star like Johnny Depp in the role of Tonto when so many Native American actors could have performed the role effectively. (And yes, the…

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