REVIEW: Isle of Dogs [2018]

You’ve heard the rumor, right? I feel like the twee sensibilities of writer/director Wes Anderson might be catching up to him. Moonrise Kingdom was a sort of rejuvenation proving both exactly like his oeuvre and wholly unique as its child’s perspective lent a fresh voice to his usual brand of artificial melodrama. But rather than propel him forward, it seems it may have pulled him back. The auteur’s follow-up was the hilarious The Grand Budapest—perhaps his funniest tale to-date despite ringing hollow in a way that turned endearing artifice into…

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REVIEW: Castello Cavalcanti [2013]

“Tarred, feathered, and spit-roasted …” I can get behind Wes Anderson‘s Castello Cavalcanti being considered a short film. Yes, it’s a Prada ad like Candy before it, but this one actually has a story fun enough to make you forget. There is humor in the camera movements (with one pan brilliantly hitching at the scream of a man in the restaurant that the lens was about to pass); fantastic visual comedy thanks to the 1955 Italian setting, destroyed Formula One car, and stone-faced cast devoid of English; and a wonderful…

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REVIEW: Prada: Candy [2013]

“I baked a cake” The message appears to be that Prada will make you irresistible as well as vain enough to yearn for the attention it demands. I guess this means it’s a job well done being that Prada: Candy is a commercial, but as a short film it’s lacking in showing us something other than fun frivolity. It definitely has Wes Anderson‘s visual style and Roman Coppola‘s dry wit, but I don’t think anyone would care if it didn’t involve them. So, in the end, it’s merely a depiction…

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REVIEW: Cousin Ben Troop Screening with Jason Schwartzman [2012]

“Why? Why? I don’t know.” A Funny or Die exclusive promoting the release of Moonrise Kingdom, Cousin Ben Troop Screening with Jason Schwartzman is a two-minute piece directed by the feature’s Wes Anderson with co-writing duties from Roman Coppola. Schwartzman reprises his role as Cousin Ben while the children paying admission to watch his tented screening of the film are all revealed to be familiar faces from it as well. This causes a meta crisis considering they are characters speaking about the very world they exist inside as a fiction…

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The 85th Oscars recap through tweets …

@jaredmobarak • and the #Oscars begin … #[email protected] • SUCCESS!! Tommy Lee Jones smiles! #[email protected] • poor Don Cheadle #Oscars13 Welcome to the 85th annual Academy Awards from the newly renamed Dolby Theatre. Bankruptcy is a drag, ain’t it Kodak? Hopes were high after host Seth MacFarlane‘s surprisingly hilarious Ted made me wonder if the dude wasn’t the real deal after all. A poor man’s Ricky Gervais, the Academy was probably wise in going for the watered-down Americanized version of unbridled snark because one would think the “Family Guy” creator…

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Posterized Propaganda February 2013: A Snort of Fresh Air with ‘Warm Bodies’, ‘Identity Thief,’ ‘Charles Swan’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. February. Just outside of the dump month that is January and yet still devoid of any true must-sees besides the arty ones no one has heard of and the umpteenth…

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Picking Winners at the 85th Annual Academy Awards

Supporting Actress:Amy Adams: The MasterSally Field: LincolnAnne Hathaway: Les MisérablesHelen Hunt: The SessionsJacki Weaver: Silver Linings Playbook William Altreuter: It often seems to me that the Best Supporting categories are where the most interesting things are to be found in the Academy Award nominations, and this year is proving me right. What we often get—especially with Best Actress in a Supporting Role—are performances that really carry the movie, even though we tend not to notice. We also get actresses showing us what they can do against type, and that display of craft and professionalism is frequently rewarded. The…

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REVIEW: A Glimpse Inside the Mind of Charles Swan III [2013]

“What are all these shoes?” Yeah, so Roman Coppola definitely threw the kitchen sink in much earlier than the moment he actually put it onscreen at the end of A Glimpse Inside the Mind of Charles Swan III. But I don’t think anyone would expect different from a post-“tiger blood” Charlie Sheen for all intents and purposes playing his own crazy self jumping through a bunch of fever dreams on a broken heart. We’d like to believe the actor’s noggin is filled to the brim with depraved and lecherous fantasies…

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REVIEW: CQ [2002]

“Dazzling! Fascinating!” While there are many cinematic examples of directors taking a behind the scenes look at the process of their craft, few are as sure-handed, personal, and entertaining as Roman Coppola‘s debut CQ. For someone who literally grew up in the movies with father Francis Ford Coppola and American Zoetrope reaching legendary status inside his house, inspiration was readily available through the memories and keepsakes acquired along the way. From the vanity of fame to the technological evolution of the industry to the almost forgotten practice of practical effects,…

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REVIEW: Moonrise Kingdom [2012]

“He left me a letter of resignation” Five years removed from his last foray into live action filmmaking—although Fantastic Mr. Fox is much more akin to his sensibilities than a normal animated children’s movie should be—writer/director Wes Anderson returns with what could be his most storybook piece yet. So far removed from our reality, Moonrise Kingdom fits firmly into the auteur’s world of meticulously detailed constructions and manufactured quirk. Subtly surreal in its tale of lost innocence, the characters populating the small island of New Penzance exist on the fringes…

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Top 50 Films of the Decade (2000–2009)

As always, I have not seen every film made in the decade, so this list is only complete as of posting. There are those diamonds in the rough I’ve yet to witness that could render this entire list obsolete. The ‘Naughts’, I believe an appropriate term being used for the decade spanning from 2000–2009, the years we feared wouldn’t come thanks to Y2K, brought with them some amazing films. Technological advancements aside, this time period contained a number of singular auteurs both continuing on already stellar careers and others beginning…

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