TIFF14 REVIEW: Chop My Money [2014]

“This is my photograph for my family” Give a street kid in the Eastern Democratic Republic of Congo some attention with a camera and he’s going to provide you the type of footage perfectly suited for rockstar treatment. Is Theo Anthony glorifying the deeds of Manu Bahiti “Patient” Jean Christophe, warning us outsiders of the hard life children live hustling, or simply giving an unfiltered glimpse of this new Wild West? Chop My Money is a little of all three in descending order because you know Patient and his crew…

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REVIEW: Notre jour viendra [Our Day Will Come] [2010]

“How long can you stay a dumb, dull redhead?” Europe possesses a couple vocabulary words that we Americans wouldn’t take seriously if heard uttered in conversation. There’s a prejudice across the Atlantic—especially in England—against redheads that has coined the terms “gingerphobia” and “gingerism” as a form of hate crime. While the Middle Ages designated the “affliction” as the sign of a witch, werewolf, vampire, or other evil creature with mystical powers and insatiable sexual desire to be feared and disparaged, one would think such assumptions laughably impossible today in the…

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Romain Gavras … Music Videography

French director Romain Gavras could very well be my new favorite visionary. With all the hype surrounding the new M.I.A video—not as violent necessarily as I thought it’d be, but definitely NSFW, (as most of his videos aren’t), and vicious in its authenticity—I had to check his work out. His personal Vimeo page contains five of his music videos, all but one, (The Last Shadow Puppets), the musical creations of dance/electronica/electro hip-hop acts. It’s a pedigree of some international favorites and thankfully they all allowed their director to orchestrate mini-movies,…

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