REVIEW: Chappie [2015]

“I want to go home” I understand the general public not wanting to go as far into sci-fi as Neill Blomkamp goes with Chappie—although they loved the similar lengths of District 9—but it’s hard to believe the critical sphere has taken such a hard stance against it. Actually, maybe it’s not too difficult to believe after they’ve railed against it for months, anticipating a bomb due to the writer/director’s admittedly failed sophomore effort Elysium. In direct contrast to their relish at taking it down, I found it to be very…

Read More

REVIEW: Warriors of the Discotheque [2012]

“The Now Explosion” Everyone’s aware of Studio 54’s reign as nightclub supreme from 1977-1981: its sex, drugs, and rock n’ roll. But what about the 80s? I’m not saying I should know the “It” club of the decade I was born, but it’s interesting that an era of excess, fashion, and eccentricity doesn’t possess a singular, defining establishment. With Warriors of the Discotheque, writer/director Joseph F. Alexandre looks to declare there was such a locale with his documentary about the mind-opening experience had by thousands in the hip, modern, international…

Read More

REVIEW: RoboCop [1987]

“The future has a silver lining” It started with a passing thought by screenwriter Edward Neumeier as he walked by a poster for Blade Runner—a movie his friend explained was about a “cop hunting robots”. What if he combined those two nouns to make a robot cop? A machine with the computational power to judge right from wrong tinted gray due to a latent morality combined with the extra strength and invincibility being constructed out of metal could provide? Yes, please. Partnered with Michael Miner, however, their dystopian script was…

Read More

Posterized Propaganda February 2014: ‘RoboCop’, ‘The LEGO Movie’, ‘Non-Stop’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. February is here, January dump month is over, and 2014 is officially ready to take control with only a few more festival holdovers from last Fall. A couple summer-caliber flicks…

Read More

REVIEW: Total Recall [1990]

“A man is defined by his actions, not his memory” By the time Total Recall began filming—about a decade after its Hollywood genesis—quite the team of science fiction luminaries had been assembled. With inspiration from Blade Runner‘s Philip K. Dick; a script by the creators of Alien, Ronald Shusett and Dan O’Bannon; the directorial expertise of RoboCop‘s Paul Verhoeven; and The Terminator himself, Arnold Schwarzenegger, out front, this colossal undertaking was put atop the shoulders of dreamers. Spring-boarding off the question of whether reality can be proven alongside an authentically…

Read More

DVDS: Criterion Collection

My collection of DVDs from the venerable Criterion Collection, in order by spine number. (the package art is almost better than the films themselves) [fb-like-button]

Read More

TIFF08 REVIEW: The Wrestler [2008]

“Sacrificial ram” It’s a fascinating thought I had going into Darren Aronofsky’s The Wrestler, screened at the Toronto International Film Festival. I began to worry that a straightforward tale may not be playing to the director’s strengths. The reason being that his masterpiece The Fountain was still in my head and since he didn’t have writing credit here, my trepidation increased. It wasn’t until the end credits that I recalled Requiem For a Dream being an adaptation and his debut π being pretty grounded in reality despite its surrealistic tendencies.…

Read More