REVIEW: Prom Night [1980]

The killers are coming. Built upon a story by a film student (Robert Guza Jr.) that director Paul Lynch knew, Prom Night delivers a grounded slasher focused on revenge. Written by William Gray, the script begins six years in the past as four children play hide and seek in an old, abandoned building without adult supervision. They play rough with chants about killers to try and spook each other into giving up their location—a style that might scare someone unfamiliar with the tone being set like young Robin Hammond. She…

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REVIEW: Curtains [1983]

Call it research. By the end of Peter R. Simpson‘s Curtains—I use the producer’s name since he ultimately finished the film two years after original director Richard Ciupka left with only forty-five minutes shot—there are just three surviving characters. One is the potential victim being chased, another the homicidal maniac under a plastic old woman mask who’s killed the rest, and the last of the trio off-screen somewhere so we’re left to question the murderer’s identity. Will it be revealed that it’s been the person we’ve thought it was since…

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