REVIEW: The Lady from Shanghai [1948]

“Killing you is killing myself. But, you know, I’m pretty tired of both of us.” Director Why would Orson Welles work on a studio film again after the debacle of The Lady from Shanghai? The auteur submitted his first film noir on budget only to watch producers chop sixty minutes out and demanded reshoots to add distracting close-ups. I guess that’s the price of casting Rita Hayworth whether she’s your wife or not. The money is in play to see her and if you’ve already bleached and cut her iconic…

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REVIEW: Footprints [2011]

“The strangest things happen in Hollywood in the middle of the night” Shot on location in 2007—dated by the film billboards and posters littering the scenery—and screened at a couple film festivals in the years since, Steven Peros’ Footprints finally makes its way into select theatres. Known for writing the screenplay to Peter Bogdanovich’s The Cat’s Meow, his latest cements the obvious notion that the writer/director loves Hollywood lore. Rather than tell a real life story again, Peros has instead crafted an introspective yarn touching upon the whole of cinematic…

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