DESIGN: Ghostbusters — I Am Vinz

If I made a Ghostbusters shirt for The Gatekeeper, I couldn’t very well stop without doing another for The Keymaster. Unfortunately, when it comes to Rick Moranis‘ Louis Tully, there isn’t really a stand-out line besides his famous parroting of Egon’s, “Yes, have some”. However, to keep in tune with the previous design, I decided on “I am Vinz, Vinz Clortho”. It’s the beginning of a longer list of monikers that he speaks at a horse upon roaming the streets of NYC while possessed. Using the same font and effect…

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REVIEW: Ghostbusters II [1989]

“Death is but a door. Time is but a window. I’ll be back.” After its release in 1984, Ghostbusters became a national phenomenon. Giving the world a witty comedy inside a science fiction narrative was unique and the finished film found a way to transcend age by appealing to all. As a result, the studio decided to monetize the name by spawning an animated television show—“The Real Ghostbusters”—a plethora of toys, and even a neon green Hi-C juicebox in Ecto Cooler. Columbia Pictures had a goldmine on their hands and…

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REVIEW: Ghostbusters [1984]

“Back off man. I’m a scientist.” With all the recent talk about a third installment/reboot of the franchise, it’s not hard to forget how timeless the original Ghostbusters actually is. Rumors swirl and Bill Murray’s soundbytes mislead almost monthly now, but all you need to revisit the comical science fiction stylings of a paranormal-infused New York City is to pop open your DVD case and let the magic crescendo through Ray Parker Jr.’s classic theme. It’s even easier when Sony decides to re-release the film in select cities across the…

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360|365FF10 REVIEW: Cinema Museum [2008]

“Floral Odors: fresh, inspiring, and nice” The second half of a Mark Lewis documentary short doubleheader at the 360|365 George Eastman House Film Festival was his 2008 look inside of the Cinema Museum. A private collection owned by Ronald Grant and Martin Humphries in Britain, their curator Anna takes us on a first person tour of the cluttered and packed rooms full of movie memorabilia spanning decades. Lewis shoots it all, I would guess, with a Steadicam that he helms, following Anna through the corridors and into cramped rooms, or…

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