REVIEW: TV Junkie [2013]

“How can something be so euphoric and good and be so terrible?” The story of former “Inside Edition” senior correspondent Rick Kirkman is one of addiction and its debilitating impact on every aspect of life. While such a sentiment may seem anything but unique in a world where reality TV willfully puts addicts on the small screen so a hubristic American public can laugh at their misfortunes from afar instead of putting a mirror on themselves to understand where their own lives have gone astray, Michael Cain and Matt Radecki’s…

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REVIEW: Shutter Island [2010]

“Retreat isn’t something you consider an option” Very rarely does a film meet, let alone exceed, the expectations of the piece of literature it is based upon. With a director like Martin Scorsese, however, you do hold out hope that it will at least come close. But with postponements from the Oscar wheelhouse of a fall release and the move to a dump month such as February, concern weighed very heavy. Maybe the departure in subject matter caused the venerable auteur to falter a bit, unsure of how to handle…

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Top 50 Films of the Decade (2000–2009)

As always, I have not seen every film made in the decade, so this list is only complete as of posting. There are those diamonds in the rough I’ve yet to witness that could render this entire list obsolete. The ‘Naughts’, I believe an appropriate term being used for the decade spanning from 2000–2009, the years we feared wouldn’t come thanks to Y2K, brought with them some amazing films. Technological advancements aside, this time period contained a number of singular auteurs both continuing on already stellar careers and others beginning…

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REVIEW: Precious: Based on the Novel ‘Push’ by Sapphire [2009]

“A Day at the Shore” About halfway through watching Precious: Based on the Novel ‘Push’ by Sapphire I started to think about another dark and dismal drama about abuse. The comparison to Requiem for a Dream was very hard to remove from my consciousness, both with the subject matter and the stylish way in which they are shot. Aronofsky really evolved the visceral assault aesthetic for his tale of drug abuse and I have to believe that director Lee Daniels was thinking just that when approaching Geoffrey Fletcher’s adapted screenplay.…

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REVIEW: Ghosts of Girlfriends Past [2009]

“I’m gonna have to do this in bulk” My research into the new A Christmas Carol rip-off for the rom-com demographic, Ghosts of Girlfriends Past, yielded one very interesting tidbit of information—director Mark Waters received a “special thanks” on the production of Requiem for a Dream. No disrespect to the man as I’m a big fan of Mean Girls and have wanted to check out his Spiderwick Chronicles, but how does he know Darren Aronofsky? This has all of a sudden taken over my complete interest pertaining to the new…

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TIFF08 REVIEW: The Wrestler [2008]

“Sacrificial ram” It’s a fascinating thought I had going into Darren Aronofsky’s The Wrestler, screened at the Toronto International Film Festival. I began to worry that a straightforward tale may not be playing to the director’s strengths. The reason being that his masterpiece The Fountain was still in my head and since he didn’t have writing credit here, my trepidation increased. It wasn’t until the end credits that I recalled Requiem For a Dream being an adaptation and his debut π being pretty grounded in reality despite its surrealistic tendencies.…

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REVIEW: The Fountain [2006]

“Death breeds creation” I never thought I would ever thank Brad Pitt for causing the utter failure of The Fountain launching principal photography three years ago. However, his leaving the production to do Troy may have resulted in the finest film-going experience I have ever had. Darren Aronofsky’s masterpiece could only have been ruined by the doubled budget and lack of Hugh Jackman and Rachel Weisz’s stellar performances. The epic scope this film has is that much better due to the small-scale effects honed and enlarged to full utilization. Much…

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Top 25 Films of 2000

(short and sweet and to the point; culled from watching 67 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: The Emperor’sNew Groove directed by Mark Dindal #24: Pay It Forward directed by Mimi Leder. #23: Tully directed byHilary Birmingham #22: X-Men directed by Bryan Singer #21: Quills directed by Philip Kaufman #20: State and Main directed by David Mamet #19: Best in Show directed byChristopher Guest #18: Tigerland directed by Joel Schumacher. #17: Almost Famous directed by Cameron Crowe. #16:…

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