REVIEW: Colette [2018]

It might ruffle some feathers back home. What Wash Westmoreland (who co-wrote with his late husband Richard Glatzer and Rebecca Lenkiewicz) has done with Colette is craft an origin story for the famous, Nobel Prize-nominated French novelist Sidonie-Gabrielle Colette. It begins in Saint-Sauveur-en-Puisaye with her as the teenage daughter of poor country folk unable to pay a dowry to the successful Parisian entrepreneur who fancied her, Henry Gauthier-Villars (known by his more concise nom-de-plume, Willy). Colette soon moves to Paris with her new husband—who gave up his inheritance to follow…

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TIFF17 REVIEW: Disobedience [2018]

“We must then choose the tangled lives we live” It starts with a London-based rabbi speaking from his heart about the complexities of life. He stammers through—obviously ailing—until collapse. Suddenly we’re in New York City watching a photographer in-session with tattooed seniors. The phone rings and we know. She (Rachel Weisz‘s Ronit Krushka) is the daughter of that rabbi and he has passed away. The assumption is that both these worlds will subsequently collide in reunion. Tears will be shed and hugs had. But that’s not quite the case with…

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REVIEW: Ida [2013]

“Why am I not here?” A life well lived. Now there’s a concept very few of us can truly comprehend. It doesn’t mean old age. It doesn’t mean fame or fortune. It doesn’t even mean legacy, familial or otherwise. A life well lived can be ten years long or one hundred years short—the only necessity being that you somehow left this world better on your own terms and in front of whatever God or lack thereof you choose. Some of us are lucky; others the victim of fate, time, and…

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