REVIEW: Klaus [2019]

A true act of good will always sparks another. For a figure as ubiquitous as Santa Claus, the myriad ways in which his origin can be reborn, refashioned, and retrofitted seem infinite. Those seeking a new direction generally take the old and filter it through a contemporary generational lens wherein the jolly man’s title is passed down the line either by magic (The Santa Clause) or birthright (Arthur Christmas). Those choosing to start from scratch instead have therefore become a fascinating subsection of the Christmas genre simply by ensuring nothing…

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REVIEW: Toy Story 4 [2019]

She’ll be okay. It was said upon the release of Toy Story 3 that the franchise was done as far as Woody (Tom Hanks) and Buzz Lightyear’s (Tim Allen) adventures were concerned. These sentiments made sense because it ended nicely on a logical breaking point wherein the boy whose name adorned their feet grew-up and gifted them to a new owner (Bonnie) who promised a warm future of happiness and play. Because simply retiring the characters would be dumb, Pixar decided to branch out into a trio of short comedic…

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REVIEW: Tag [2018]

Our friend is a psychopath and this is scary. The most memorable moment throughout Jeff Tomsic‘s Tag is the introduction of one of the five grown men engaged in a thirty-year game of trading who’s “it.” The player is “Chilli” (Jake Johnson) and he’s loudly smoking a bong while talking to his father, an aging man covered in tattoos readying for a turn. It’s not about what, but whom: Brian Dennehy. The venerable Brian Dennehy inexplicably came onboard a zany high concept comedy for less than five minutes of screen…

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Posterized Propaganda April 2014: ‘Captain America: Winter Soldier’, ‘Under the Skin’, ‘Transcendence’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. April has a lot of movies coming out stateside and so many have decided to sell themselves on their star. Dom Hemingway (limited April 2) (poster), Alan Partridge (limited April…

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Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. August isn’t fooling around with a ton of releases spanning both big budget and independent productions. I couldn’t even begin to talk about them all here—sorry Sparkle—but there sadly aren’t…

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REVIEW: The Muppets [2011]

“Laughter, the third greatest gift of all!” If you saw Forgetting Sarah Marshall, it’ll be no surprise that Jason Segel and Nicholas Stoller were chosen as the ones to bring The Muppets back to the big screen. Almost three decades since the last true Muppet movie besides their literary adventures after Jim Henson’s untimely death, it’s also not shocking that the two decided to base their plot around this lengthy hiatus. Years removed from the original “Muppet Show” that began in 1976, this new iteration begins by introducing us to…

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360|365FF10 REVIEW: Monogamy [2010]

“When do you want to swing by to choose your prints?” Those of you that say a monogamous relationship isn’t possible, that you can’t live the rest of your life with the same person and seriously be happy, Monogamy is the film for you. As succinctly and authentically as it can, Dana Adam Shapiro’s film, (Oscar nominated director of the documentary Murderball), peers through the window of Theo’s life. The guy has it all: a beautiful fiancé, a self-employed photography job where he calls the shots, and an apartment in…

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REVIEW: I Love You, Man [2009]

“You sound like a leprechaun” Hollywood comedy these days is just one giant extended family tree. Everyone—and I mean everyone—has a connection and brings their friends along wherever they go. The new film I Love You, Man is no exception. This is a very good thing, because if I were to go on writer Larry Levin’s previous work, (scripting the Dr. Dolittle remake saga), I would have stayed far, far away. But instead I saw the Apatow flair with Jason Segel and regular Paul Rudd mixed with a little NBC…

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