REVIEW: An Ordinary Man [2018]

I am myth. Despite being someone known for family friendly fare (Casper and A Series of Unfortunate Events), Brad Silberling was always the guy behind the under-rated Moonlight Mile to me. Beyond its sentimentality and contrivances, it cemented his name as one to follow. Besides 10 Items or Less, however, he career mostly shifted from film to television. I’ll admit I eventually forgot this name during the fifteen years since taking note, its appearance as writer and director of An Ordinary Man reminding me of the potential it held. Even…

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REVIEW: Going in Style [2017]

“Everyone deserves a piece of the pie” Back before Martin Brest was placed into forced retirement post-Gigli, he had a run of comedy hits including Midnight Run and Beverly Hills Cop. The first of these studio pictures, however, was a heist flick starring eighty-year old George Burns, seventy-year old Lee Strasberg, and fifty-year old Art Carney as clean-nosed roommates inexplicably looking to rob a bank. The fun was in the preparation—a rejuvenated excitement in their lives. The drama came via a long, winding road of tragedy afterwards. So of course…

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REVIEW: John Wick: Chapter 2 [2017]

“Are you here for the Pope?” The team behind John Wick achieved success with a formula that distilled the prototypical action film down to its main points of entertainment while leaving the fat on the cutting room floor. This is why we moved back and forth through time for some scenes (the result playing out while the road there is experienced in montage) and why the economy of script successfully conveyed a hyper-real state of danger and malice from all involved. We don’t need elaboration on what we just saw…

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REVIEW: Sing [2016]

“Don’t let fear stop you from doing the thing you love” After helming The Hitchhiker’s Guide to the Galaxy and Son of Rambow, it’s easy to forget writer/director Garth Jennings started his career as one half of music video masters Hammer & Tongs. Pair his knowledge of music with some great past examples of family-friendly aesthetics (Supergrass‘ “Pumping on Your Stereo” puppets, Blur‘s “Coffee & TV” stop-motion) and the notion he’d eventually gravitate towards a feature-length animated children’s film doesn’t seem far-fetched. In fact, the only thing about his third…

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REVIEW: Spy [2015]

“I’ve swallowed enough microchips and shit them back out again to make a computer” The Paul Feig/Melissa McCarthy train continues forward with James Bond spoof Spy after the box office successes of Bridesmaids and The Heat (with Ghostbusters still forthcoming). This installment sees McCarthy as the bona fide star, onscreen for practically the entire duration as CIA analyst turned field agent Susan Cooper. She’s been in the earpiece of top operative Bradley Fine (Jude Law) for so long that she’s probably saved his life more times than he’s killed people,…

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REVIEW: Guardians of the Galaxy [2014]

“I don’t learn” It shouldn’t come as a surprise that the best Marvel film to date would be one without a single recognizable character to anyone not already a fan. Guardians of the Galaxy has been around since 1969, but it’s the 2008 iteration by Dan Abnett and Andy Lanning which struck the studio’s fancy as far as opening their cinematic universe wide open. There’s still a tenuous connection to Earth with the group’s default leader being a human snatched as a child by a Ravager ship, yet this detail…

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REVIEW: Shaun of the Dead [2004]

“Don’t forget to kill Philip” Anticipating the release of Hot Fuzz has made me want to see the Simon Pegg/Edgar Wright career works. Having heard how great the UK series “Spaced” was, I bought an import from Britain and just recently finished it. The show was great, pop culture abounds, hilarity from start to finish, and much like “The Office,” they knew when to stop and not let the show take a fall with filler and repetition…cough…US “The Office”…cough. What better segway from those two seasons then to go right…

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