REVIEW: Alice in den Städten [Alice in the Cities] [1974]

“The picture never shows what it seems” After directing three films he didn’t believe possessed a voice all his own, number four became Wim Wenders‘ make-it-or-break-it moment as far as whether to keep moving forward with cinema or to choose another path. Considering he’s still working today, we know the commercial and personal success Alice in den Städten [Alice in the Cities] provided. The first of his “Road Movie Trilogy” (although he would continue the motif throughout his oeuvre afterwards too), the film had its hiccups as the script written…

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REVIEW: Cold Turkey [2013]

“It’s like a Jewish girl’s version of subtle” The lesson to be learned from Will Slocombe’s Cold Turkey is that you should never confide family secrets with the uncontrollable loose cannon of the bunch. Because no matter how many stupid things you’ve done, or how many times Dad saved your bacon by bailing out your incapacity to take responsibility for your actions, it’s the crazy psycho messenger who should get the blame. And while I initially meant that statement as sarcasm, I know now that at least the third part…

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REVIEW: Footprints [2011]

“The strangest things happen in Hollywood in the middle of the night” Shot on location in 2007—dated by the film billboards and posters littering the scenery—and screened at a couple film festivals in the years since, Steven Peros’ Footprints finally makes its way into select theatres. Known for writing the screenplay to Peter Bogdanovich’s The Cat’s Meow, his latest cements the obvious notion that the writer/director loves Hollywood lore. Rather than tell a real life story again, Peros has instead crafted an introspective yarn touching upon the whole of cinematic…

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