REVIEW: Baby Driver [2017]

“They call. I go.” I’ll admit that writer/director Edgar Wright‘s departure from Ant-Man was met with mixed feelings on my part. On one hand I was disappointed that we’d never see what he could have done with the material—something I had anticipated for many years. On the other, however, was the realization that I’d rather only see work devoid of outside interference when his name was attached. If the rumors were true about Marvel wanting to rewrite the script he and Joe Cornish crafted to make changes they saw as…

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REVIEW: The Muppet Christmas Carol [1992]

“Heeeeyyy. You’re not Charles Dickens.” Not having seen The Muppet Christmas Carol in over a decade made me forget how effective an adaptation it is of Charles Dickens‘ classic tale. It helps that I’ve seen other iterations in the meantime, especially the one from 1951 starring Alastair Sim which Brian Henson‘s version works hard to closely mimic. There are obvious excisions such as Ebenezer Scrooge’s sister and additions like manufacturing Jacob Marley a brother named Robert so Statler and Waldorf can both get in on the fun, but for the…

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FILM MARATHON: Movie Musicals #10: Bugsy Malone [1976]

“I’ve spent my entire life coming back tomorrow” A director with a career infused by music for three decades, Alan Parker’s feature length debut came in the form of Bugsy Malone. Completely populated by kids under seventeen, it’s a gangster film that exists as though in an alternate reality, working on all levels whether treated seriously or as farce. The child actors are in Prohibition-era specific costumes, attend a popular speakeasy run by the biggest crime boss in town, and talk the talk as though they’ve lived the life, seen…

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FILM MARATHON #3: Movie Musicals (Broadway & Original)

The reason I started doing my marathon series was to finally start seeing films I’ve neglected and needed to see. Doing the filmography of Terrence Malick couldn’t have turned out better with some of the greatest works of cinema I’ve ever seen. Days of Heaven easily vaulted itself into my top 10 of all-time and The Thin Red Line wasn’t too far behind. Checking out Julia Roberts films might have made me realize I’ve been wrongly ignoring her abilities as an actor, but Malick has given me a new auteur…

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