REVIEW: Gangster Squad [2013]

“Who’s the tomato?” Tragedies like last year’s Aurora, Colorado shooting on The Dark Knight Rises‘ opening night are just that—tragic. We can never image the pain, anger, and heartache of families and friends effected or ever want to think it could happen to us. So when art skews close to reenacting that suffering—albeit with no relation whatsoever to the actual event—one can understand the trepidation in not wanting to exacerbate things by belittling the horror or appearing callous and uncaring. This is why I’m not surprised Warner Brothers held their…

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