REVIEW: Weekend [2011]

“I had to save you from the Hobbit” In a year with plenty of romantic dramas depicting the chance meeting of strangers and their quest to be together—Like Crazy and One Day amongst others—it’s sad to realize the one that hits hardest probably won’t be seen. The fact Netflix lists it as Gay & Lesbian rather than Romance proves Weekend‘s Glen’s (Chris New) sentiments about our culture’s continual lack of acceptance. He knows that even if a gallery shows his amateur art project of recorded thoughts about his nightly partners’…

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Posterized Propaganda January 2012: The Top 10 Movie Posters of 2011

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. With January 2012 poster selection leaving a lot to be desired—dump month movies don’t appear to get the same marketing budget as critical darlings—we’ve decided to better spend our monthly…

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VIFF11 REVIEW: Like Crazy [2011]

“To you who make me see things I could never see alone” How much is one summer of euphoric love worth? To Jacob (Anton Yelchin) and Anna (Felicity Jones)—the world. Courted through a shy, sweet process of stolen looks and a mix of intellectual and sexual longing, these two college students begin a whirlwind affair without regard for the legalities of her eventual return to England once her student visa expires. Bureaucratic nonsense like that couldn’t be farther from their minds as a relationship builds, improves, and cements itself as…

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Posterized Propaganda September 2011: Misfires countered by fearlessness

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. September is the start of the film festival season. Unsurprisingly, while Toronto, Venice, and New York debut the flicks we’ve been waiting all year to see, the box office…

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REVIEW: One Day [2011]

“Whatever happens tomorrow, we’ve had today” That quote could very well be the answer to the meaning of life. The future is a construct in a constant state of flux—it’s never known and our dreams are often never fully met. But the concept of today is something we can control. What we do at the present is at the mercy of our hearts’ content. Whatever may happen with the people we’re with should never have bearing on the love, fun, or absolute happiness we are experiencing right now, with or…

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Posterized Propaganda August 2011: Summer Excess vs. Indie Class

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. It’s sad to say, but August 2011 is a dismal month for quality poster design. I guess this shouldn’t be too big a surprise since it’s the tail end…

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