REVIEW: The Laundromat [2019]

Bad is such a big word … for being such a small word. The first time writer Scott Z. Burns paired up with director Steven Soderbergh proved to be a rousing success. The Informant! had real life intrigue, absurd comedy, and an inspired cast to pull everything together in a way that simultaneously educated and entertained. After teaming for two thrillers in the years since, this cinematic duo has now returned to that lighter side of dark subject matter courtesy of The Laundromat—an adaptation of Jake Bernstein‘s book Secrecy World:…

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REVIEW: Pan [2015]

“Is this Canada?” For whatever reason the American public has been fascinated with “origin” stories attempting to give meaning to some of the most iconic adversarial relationships in literary and film history. It’s not enough for the Wicked Witch of the West to hate Glinda or Superman and Lex Luthor to be arch-nemeses—we need to see how those relationships devolved from friendship. Sometimes people just hate each other, though, and there doesn’t need to be an Oz the Great and Powerful or “Smallville” to explain how once-friends turn ugly. Ostensibly…

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REVIEW: Cinderella [2015]

“Have courage and be kind” For anyone who cannot stand singing, Disney’s latest iteration of the timeless Cinderella is catered to you. I know Chris Weitz and the other screenwriters on the project before him poured through the fairy tale’s vast lineage for every detail they could cull together into what they surely believe to be the definitive version, but what I saw onscreen is the same thing I saw as a child in cartoon form. Just without the sing-songy “Bibbidi Bobbidi Boos”. There are a couple spoken ones for…

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REVIEW: The Grey [2012]

“Live and die on this day” Struggling to find meaning in a life of solitude by punishing himself to self-exile in a desolate world caught between the pristine white backdrop of untouched snow and the turbulent mass of flesh populating it as a refuge from decent society, Ottway (Liam Neeson) wonders if the time has come to retire. Writing a note to the woman he loves but can no longer see except in memory, he recalls a poem from his childhood and wonders if his fight has led him to…

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REVIEW: RocknRolla [2008]

“Was it a slow dance?” Is Guy Ritchie back? Has the impending divorce brought back that violent edge we fans have been missing? I guess it is somewhat idiotic of myself, and others, to dismiss Ritchie as though he’s left the playing field. Sure Swept Away couldn’t have been good as art let alone for his career, but besides that and what some consider a bloated mess in Revolver, Ritchie hasn’t imploded. The guy made two great cockney gangster flicks and with his newest film, RocknRolla, continues the tradition, pulling…

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