REVIEW: Honey Boy [2019]

Why am I here? The bane of childhood stardom is that nothing you do will ever be a secret again. Your success will be written in black and white in the trades. Personal relationships will be speculated upon in the tabloids. And mistakes—large or small—will trend like wildfire on the internet until they become the prevalent way by which you will be defined. Shia LaBeouf experienced every last bit of this with a keen, if imperfect, vantage point allowing him to use it to his advantage through performance art pieces…

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REVIEW: Ford v Ferrari [2019]

I’ll have you home for meatloaf and gravy. The man at the center of James Mangold‘s Ford v Ferrari is Carroll Shelby (Matt Damon), a former driver turned racecar designer forced into retirement by a heart condition exacerbated by the difficulties of his high-speed sport of choice. His narrative importance lies in being the connective tissue between Ken Miles (Christian Bale as his close friend and colleague) and Henry Ford II (Tracy Letts as a man who needs no introduction) once the titular war at Le Mans gets underway. His…

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REVIEW: A Quiet Place [2018]

I have always loved you. It’s always a risk going to a film on opening night—especially horror. The genre attracts a younger audience looking to giggle their way through the experience, oftentimes proving so obnoxiously overcompensating in their fear preparation during the preshow trailers and commercials that I wish I stayed home. So it was with trepidation that I went to see the first Thursday showing of John Krasinski‘s critically acclaimed A Quiet Place, hoping it’d be sparsely attended with most waiting for Friday night. Instead I found a packed…

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