REVIEW: Charlie’s Angels [2019]

Hugs work. It’s been over fifteen years since Charlie’s Angels: Full Throttle hit cinemas. That might not seem so long considering the first movie bowed almost twenty years after the television show went off the air, but TV reboots were all the rage back in the early ‘aughts. That extra time might have actually helped then because the fad’s key selling point was updating seventies-era properties with twenty-first century technology. Going from then until now, however, doesn’t quite hold the same demand for a “new look” as far as aesthetics…

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REVIEW: A Happening of Monumental Proportions [2018]

Choose, commit, and move. Men have it tough don’t they? I mean they have to worry about married women they’ve engaged in inner-office affairs with ratting them out to the new boss. Some are forced to face the crushing existential crisis that comes with their failed pipe dreams of rock stardom revealing how they’re nothing but lowly private school music teachers who’ve accomplished nothing in their lives—including, apparently, educating the children in their class. And don’t get me started on the ones who must endure the untimely death of their…

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REVIEW: Tammy [2014]

“You wanna go ride a cow?” I like Melissa McCarthy and her trademarked hard-edged, scumbag persona in films. She’s often the best part of things that don’t work—Identity Thief—and those that do—Bridesmaids. So I’d love to blame someone else for how tired and frankly unfunny her latest Tammy is despite knowing I can’t. She co-wrote the road trip comedy with her husband Ben Falcone while he also directed. Maybe there was some interference courtesy of Adam McKay and Will Ferrell lending their shingle to the production, but I’d be surprised…

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REVIEW: The Way Way Back [2013]

“You just surprised me” Fresh off their Best Adapted Screenplay Oscar for The Descendants, writing duo Jim Rash and Nat Faxon return with a wholly original work to serve as their directorial debut. Well, original in the sense they created it without any previous material to jump off from besides a century plus worth of cinematic coming-of-age tales. The honest truth: The Way, Way Back will seem very, very familiar. But this is a fact that helps audiences realize how good it is. Like what Greg Mottola‘s Adventureland did for…

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The 84th Oscars recap through tweets …

@jaredmobarak • Shut up Ryan Seacrest … Like the studio isn’t going to reimburse you. Cry about it #Oscars12 And with a little Bisquick, the 84th Annual Academy Awards show began before the camera even entered the Kodak “Chapter 11” Theatre. The is he or isn’t he banned from the show star of The Dictator, Sacha Baron Cohen, did what he does best by getting interviewed in character and causing a scene. Ryan Seacrest appeared to be enjoying the joke of it all and remained quite amiable until the comedian…

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Picking Winners at the 84th Annual Academy Awards

For the next week and a half, Spree contributor William C. Altreuter, our online film reviewer Jared Mobarak, and me will share our thoughts on who will take home the Oscars. Let’s kick things off with … Best Supporting Actress. —C. S. BEST SUPPORTING ACTRESS:Bérénice Bejo – The Artist as Peppy MillerJessica Chastain – The Help as Celia FooteMelissa McCarthy – Bridesmaids as Megan PriceJanet McTeer – Albert Nobbs as Hubert PageOctavia Spencer – The Help as Minny Jackson Christopher Schobert: Bill, it seems like every time you and I tackle…

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REVIEW: The Descendants [2011]

“Goodbye my love, my friend, my pain, my joy. Goodbye.” Beginning in voiceover, Alexander Payne’s new film The Descendants introduces us to the King family through its in-over-his-head patriarch. In a brilliant analogy, he posits how his clan resembles their home state of Hawaii very closely—beyond the obvious ancestral roots dating back to the area’s native royalty. Like the archipelago, the Kings consist of differing parts of one whole that appear to slowly move away from each other as time passes. Physically split between islands due to boarding school and…

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