REVIEW: Framing John DeLorean [2019]

He is open to interpretation. I was three when Back to the Future immortalized John DeLorean‘s namesake automobile the DMC-12 (known plainly as the DeLorean since no other model was produced). Doc Brown’s time machine was therefore unsurprisingly the extent of what my mind could associate with the former visionary of General Motors who continuously found himself flying close enough to the sun to harness its power and ultimately be destroyed by it. So it was confusing to watch Don Argott and Sheena M. Joyce‘s comical procession of filmmakers who…

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REVIEW: Deadpool 2 [2018]

We can’t really live until we die a little. The biggest critical gripe coming out of the first Deadpool film was that its attempt to subvert the superhero genre was squandered by being a superhero film. What does that mean? It literally is a superhero film. The character is an X-Men alum who exists to fight bad guys (and good guys alike). So the plot was always going to follow a familiar arc towards finding redemption and/or revenge against those foes/friends. Where it diverted from the formula was its embracement…

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REVIEW: Deadpool [2016]

“Maximum effort” The fact Deadpool is in theaters should have fans and detractors of the superhero “genre” excited because it signals a burst of creativity within an otherwise stagnant artistic avenue. But don’t think it won’t still be a superhero movie. A lot of talk in the critical sphere revolves around how Tim Miller and Ryan Reynolds’ passion project “looks to subvert convention” yet “ends up just another comic book origin story.” Guess what? Deadpool is a comic book character. Just because he’s self-aware enough to mock his world’s tropes…

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REVIEW: Spy [2015]

“I’ve swallowed enough microchips and shit them back out again to make a computer” The Paul Feig/Melissa McCarthy train continues forward with James Bond spoof Spy after the box office successes of Bridesmaids and The Heat (with Ghostbusters still forthcoming). This installment sees McCarthy as the bona fide star, onscreen for practically the entire duration as CIA analyst turned field agent Susan Cooper. She’s been in the earpiece of top operative Bradley Fine (Jude Law) for so long that she’s probably saved his life more times than he’s killed people,…

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REVIEW: Done the Impossible: The Fans’ Tale of ‘Firefly’ and ‘Serenity’ [2006]

“And that makes us mighty” Never underestimate the Browncoats. A community of “Firefly” fans who filled the mold of their television shows’ iconic warriors Malcolm Reynolds and Zoë Washburne, their fervor and never-say-die attitude not only kept a canceled program alive in their hearts and on the internet, but also helped resurrect it to the big screen. Composed of regular people who found the time to watch and care as well as a contingent of cast and crew—themselves huge champions of the work created—Done the Impossible: The Fans’ Tale of…

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REVIEW: Serenity [2005]

“Love keeps her in the air when she ought to fall down” Seven years after hitting the theatre cold to watch what appeared to be a unique sci-fi space western, Joss Whedon‘s Serenity proves much more powerful and lush with a couple “Firefly” viewings under my belt. The film that should not have been—Fox unceremoniously canceled the television series despite fan protest post-Season One—stands on its own as a mere shadow of its potential without the contextual details of the titular spaceship and crew living inside so I implore you…

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